I *know* what I'm talking about--the person that got me into high end and darkroom photography is a friend of my father. He taught me that the most important thing to look for in audio was "resolution". WRONG. Having worked at record stores, everytime I went to his house he would show me his latest wire and/or gadget (like the VPI brick--ha!)--he in turn would *always* drool with my new LPs. He was listening to equipment...
It was so much fun when I brought my Yamaha NS-10M studio one night...he had a multi-thousand dollar transport and DAC, a Klyne SK-5A pre and a Krell sliding bias beast hooked w/ $100 @ foot speaker wire to some B& W 801's. My $315 Yamahas were *uncomfortably* close to the $6,000 801's!!! I wonder if he learned the lesson...
What *if* he hears my Modwright Swans? They would really kick the s**t out of them 801's!!!
It was so much fun when I brought my Yamaha NS-10M studio one night...he had a multi-thousand dollar transport and DAC, a Klyne SK-5A pre and a Krell sliding bias beast hooked w/ $100 @ foot speaker wire to some B& W 801's. My $315 Yamahas were *uncomfortably* close to the $6,000 801's!!! I wonder if he learned the lesson...
What *if* he hears my Modwright Swans? They would really kick the s**t out of them 801's!!!