The High End and Glubglub


The High End has had many arguments in which certain types of equipment were and are considered inherently inferior for a variety of reasons: among these the single-ended tube amps which were dismissed by many, single-driver speakers, the ever-popular idler-wheel drives which I espouse, let's not forget tube amps which were practically universally dismissed in the late 60s and through the 70s, and so on. So what was going on in these varoious and ongoing debates? I sumbmit for your perusal the following gem I found in a discussion of logic: "What he (the skeptic) wants it is logically impossible to supply. But doesn't the logical impossibility of the skeptic's demand defeat his cause? If he raises a logically impossible demand, can we be expected to fulfill it? He says we have no evidence, but whatever we adduce he refuses to count as evidence. At least we know what we would count as evidence, and we show him what it is. But he only shakes his head and says it isn't evidence. But then surely he is using the word "evidence" in a very peculiar way (a meaningless way?), so that nothing whatever would count as a case of it...Might he not just as well say, "There is no glubglub?""
johnnantais
Good response, Plato. Unfortunately, it doesn't go far enough, as designers are influenced by this type of irrational thinking as well. For at least a decade, single-ended amps were universally dismissed in America while the Japanese sat over there enjoying them. So for a decade, perhaps many people missed an experience they would later come to love, while living with designs which simply didn't push their fun buttons. Now the North American market has an embarrasment of riches, and new designs - both of sensitive speakers with an easy load and the delicate and delicious amps to drive them: a Paradigm Shift. It is not an issue if it only concerns convincing others of your findings when you are a simple consumer, it is an issue when this attitude prevents advancement of the art, and deprives consumers of what may be better choices, at least for them. In this case, you would never get the chance to hear something which might have appealed to you. An interesting thought: just how did the single-ended craze start over here? And you are right with respect to double-blind tests, as many of the things various items do are too subtle to be recognized immediately.
Making a good argument, like virtue, is its own reward. If your goal is to *convert* someone to your way of thinking (or hearing) and you find yourself frustrated and angry when your subject fails to transform -- that's pretty good evidence that your goal has degraded your enterprise.
By all means, be opinionated and entertaining, be passionate, but in the end -- it's only music. A little perspective is in order. At the end of the day, each of us is entitled to like what we like, hear what we hear, to worship at the alter of whichever audio god we choose. After all, we are all bound by a common love -- of music.
Johnnantais, you raise some good points and I think it's great that we have this forum to kick around such ideas.

Basically consumers have no rights as to the type of products the corporate bureaucracy will produce for any particular demographic area. As you know, the corporate machine is driven by greed, not altruism.

Heck, we had the technology years ago to develop a "perfect" recording format and medium. All that's prevented that from happening is these corporate giants trying to protect their piece of the pie, as well as the greed of the recording industry trying to ensure that no one can own music from their artists without them getting their judicious cut. It's really quite a laughable mess when you think about it. Unfortunately it is the consumer who is once again getting short-changed.

Yeah, I was reading another thread today and thinking, well, if I go for SACD there are a handful of SACD releases that I'd like to purchase. And if I go for DVD-A, there's another handful, and wow, a very small percentage of this pool might even be recorded near the resolution level of the respective formats. Whoopie!!!!
Sorry for my rant. I realize that you are generally talking about high-end specialty companies, rather than the corporate behemoths. A lot of the smaller niche companies start out with the best of intentions and put their customers first. Some of them even stay that way. Unfortunately, others do not.

As to the low-powered, high-efficiency debate, I don't really want to get into that one. All I will say is that there are pro's and con's to every scenario and a person has to decide which set of compromises he can best live with. But from an ecological perspective, the low-power, high-efficiency route makes a lot of sense.
It certainly is a laughable mess, Plato, and add to that the new "Copy Protected" CDs, which sound absolutely horrible in my system. Rsbeck, I'm not sure precisely what you're saying, but just in case, I am not pushing single-ended amps, which I do not own, but which, however, I have heard and liked. We are bound by love of music, I submit that if the internet is to have any role/meaning in the present or future, it's in its potential for grass-roots movements, to give the consumer a chance to be heard and answered. If a consumer isn't aware of possibilities due to prejudice dressed up as science - as the above cute quote demonstrates - then the music isn't being served, and THAT is important. This hobby/consumer niche is fun because it has so many aspects: science, engineering, music, philosophy, beliefs...that's why it gets such a hold on us: we can apply concepts to the physical world and hear the results, which sometimes end up in magic: and it's those moments we chase and try to understand. Good old philosophy, an important aspect of a human life. I would like to see this "magic" identified - if it can be -and incorporated into a new understanding/knowledge of component design. As for passion, interesting ideas/results come from changing the angle of our thought, and this requires some shaking up: like a chemistry experiment, where you throw in a new ingredient and stand back to see what happens. That's the purpose of a forum, isn't it? You never know when a future or present designer is listening and getting new ideas. Mitch Cotter's invention of the 3-point suspension belt-drive was the result of such thinking, as well as the Quad 57s, Class-A amps, MC cartridges, and so on. Perspective, maybe, but this is still serious stuff: as they say, "If something's worth doing, it's worth doing it right." But mainly, I just liked that passage, and want to see where it leads.