Classic Record RCA 45 rpm reissues - Which?

Sorry, copied and pasted the same title twice (yes it's a multi disc set, but was still an error :^).

here is the second 45 issue I own:

LSC-1900-45 Berlioz Symphonie Fantastique, Munch

Thanks very much Albert and Doug - your experience with these 45 rpm issues is exactly the help and encouragement I needed.

Quincy, thank you. The reason for my caution is that I have most of the Classic Records classical releases in 33 rpm and the mastering is variable (some are very good, some are bright and harsh). Most of my pressings are the 180 gram, but as best I can determine, the 200gram pressings have not been remastered - CR is using the same metal parts. The 45 rpm versions would have been separately mastered, so there is no way to anticipate the results (for better or worse) based on experience with the 33 rpm versions.

Rush,
You're right about some of the CR remasterings. Off the top of my head I remember Solti/'Venice' and the much hyped Gibson/'Witches Brew' being quite glaring. I read somewhere or other that CR was attempting to emulate the classic Mercury sound, but clearly they went too far.

Doug,

Classic Records has been extremely frustrating to so many of us. As you say, both Solti/'Venice'/LSC 2313 and Gobson/'Witches Brew'/LSC 2225 are examples of hugely disappointing sound quality. And then CR can flip around and create something that is really well done, such as the Reiner Prokofiev/'Lt. Kije'/LSC 2150 or the Heifitz/Rozsa/LSC 2767 to list two out of several. I'm not looking for sound that mimics the original LPs; I'm looking for good sound in its own right with natural timbre and harmonic overtones, and one just cannot trust that Classic Records will deliver it. Perhaps if one knew the sequence in which the CR releases were mastered that could supply a key to the puzzle. Wilma Cozart jerked a knot in their tail over the Mercury reissue project, forcing them to upgrade their mastering chain and to insert tube amps to drive the mastering lathe. But, again, their results were inconsistent.

Speakers Corner has done such a better job overall with the reissues of the Decca catalogue, and now the Mercury catalogue. For that I am very thankful because the Decca's are superb performances with some of the best recording engineering symphonic music has ever received.

I've purchased some of the 45 rpm Classic Records reissues we've listed. If there is interest, I may add my thoughts about them when I've had a chance to listen.

Rushton,

I'm curious to see if you found much difference between the 33s and the 45s of the same title. I own 16 CR reissues in 33 and about 4 or 5 in 45rpm, not of the same titles. On the whole I've found the quality very variable, from dead to just acceptable. My main problem with CR records is that all they all have a sameness to them. There's a particular sheen to every pressing, I hear this across the board even in their jazz and rock reissues. I don't know whether this is the sound of their vinyl or their electronics but they've all been handled in a coockie cutter style. These reissues don't have the same character and individuality of the originals. I find them to be more of a clone of one another than the master.