Regarding the safety issue ... I tested the solutions on a few LPs, all from different labels. I allowed the solutions (one at a time) to sit on the vinyl for a half-hour (something I don't recommend you do with ANY vinyl cleaner), and then removed with my vacuum RCM. I did this just about every day for about 6 weeks. Given that, with normal cleaning, the fluids should be on the vinyl for a minute or less, I figure this was more than a lifetime's worth of "fluid on" time.
Every week I examined the LPs with illuminated microscopy, and played them. I found no degradation in appearance or sound of the vinyl ... and this result maintained throughout the testing period. I also found no accumulation on the stylus, other than the typical dust that falls on the LP while it's played. One LP I sacrificed to a thumbnail scratch test ... to see if I could detect any increased brittleness, or at the other end of the spectrum, softening of the vinyl. As crude as this latter test may be, I could detect no changes in the vinyl ... and after the tests, the LP made a great (albeit dangerous) frisbee. This testing was mentioned in the prior thread, but in more summary fashion. After this testing, I tried the fluids on my UHQR "Crime of the Century." It sounded excellent.
Sean's appeal to common sense is, appropriately enough, good common sense. For example, when testing these formulas, I hope no one would use their prized $300 (used) Fred Jackson Blue Note original LP (per jes45). But I disagree with one thing Sean said (which I think is a first, Sean). Sean suggests that if you don't have a vacuum RCM, then let the LP air dry. I believe that would allow the gunk you've loosened-up or dissolved to re-deposit into the grooves. I think it would be better to absorb the fluids and the gunk with lint-free cotton toweling (used in photography) or lint-free cotton pads. In fact, if your LP is heavily soiled (or has something strange or really sticky on it), using lint-free cotton toweling or pads is probably a preferable first step. It will keep the fabric surrounding your suction apparatus from getting fouled.
I look forward to the feedback from the testers.
Best regards,
Paul Frumkin
Every week I examined the LPs with illuminated microscopy, and played them. I found no degradation in appearance or sound of the vinyl ... and this result maintained throughout the testing period. I also found no accumulation on the stylus, other than the typical dust that falls on the LP while it's played. One LP I sacrificed to a thumbnail scratch test ... to see if I could detect any increased brittleness, or at the other end of the spectrum, softening of the vinyl. As crude as this latter test may be, I could detect no changes in the vinyl ... and after the tests, the LP made a great (albeit dangerous) frisbee. This testing was mentioned in the prior thread, but in more summary fashion. After this testing, I tried the fluids on my UHQR "Crime of the Century." It sounded excellent.
Sean's appeal to common sense is, appropriately enough, good common sense. For example, when testing these formulas, I hope no one would use their prized $300 (used) Fred Jackson Blue Note original LP (per jes45). But I disagree with one thing Sean said (which I think is a first, Sean). Sean suggests that if you don't have a vacuum RCM, then let the LP air dry. I believe that would allow the gunk you've loosened-up or dissolved to re-deposit into the grooves. I think it would be better to absorb the fluids and the gunk with lint-free cotton toweling (used in photography) or lint-free cotton pads. In fact, if your LP is heavily soiled (or has something strange or really sticky on it), using lint-free cotton toweling or pads is probably a preferable first step. It will keep the fabric surrounding your suction apparatus from getting fouled.
I look forward to the feedback from the testers.
Best regards,
Paul Frumkin