Analog Upgrade Suggestions Welcome


I am thinking of making several upgrades to my current analog rig.

Current system: click here

First, I am thinking of upgrading my VPI HW19 MKIII to the MKIV. I would like those with first hand experience to tell me if the upgrade is worth the money, and what I can expect to hear in improvement. I am currently using the SDS and SAMA modifications.

Second, I am thinking of upgrading my cartridge. My Sumiko Talisman Alchemist IIb is almost 15 years old and is ready for retirement. Some A'goNers have recommended the Shelter 501. I didn't want to spend more than $1000 for a cartidge as the majority of my listening is still redbook CD. I am open to other suggestions. I want the best cartridge for the money. Also, I am leary of buying such a fragile item used. I have heard others on A'goN say they'd never buy a used cartridge. Please share any experiences out there; good or bad.

My current cartridge has an output of 2.0mV which I assume means high output. Will I need a step-up transformer for a low output cartridge? Is the Shelter 501 at 0.4 mV considered low output? My Classe Six preamp has a phono section. The preamp comes with resistors that the user can change out to match the volume control knob position to the level of line components. I assume I'd need to change the resistor I'm using with my current cartridge. Otherwise I'd have to turn the knob way up to get enough gain with a cartridge with an output that's 1/5 that of my current cartridge. Is that correct?

Thank you all for your help and suggestions.

Cheers!

Mark
mstram
Msiebers,
Sorry if I came on strong. Like you, I had no desire to offend. Providing the context for your Shelter 501 experience was valuable of course, as long as Mark doesn't necessarily expect the same on a different arm. IME the character of a cartridge can change substantially depending on the arm it's used on. That's all.

I have been following the discussions of resonant frequency on the vinyl engine and AA by headshell/hybris. He has stated several times that a higher resonant frequency is desirable, and that has matched my own limited experience.
I haven't seen that conversation. I'll look it up, thanks for the reference.

What is the bass frequency that is affected ? If it is the low bass (20-40 Hz), that would explain why many would not hear the impact, since most systems Iincluding my own) do not reproduce this range.
The frequencies affected are indeed in the lower bass, so your supposition seems correct. My speakers are only flat to 33Hz, though they do produce some useful energy below that in the usual rolling off way. Presumably the lower one's system goes the more this will matter.

The experiences that lead me to prefer a resonance frequency around 10-11Hz were based on altering the effective mass of my own arms, a TriPlanar and an OL Silver. On the TP this is especially easy to do, depending on the cartridge, because the arm comes with three different counterweights. (Some other arms like Moerch have a similar facility.) Unless one has a very heavy or very light cartridge, it's normally possible to balance it and apply VTF using either of two weights. Obviously this slightly alters the effective mass and resonance frequencies.

IME with two Shelter 901's and three different ZYX R1000 series carts, a resonance frequency around 10 provides slightly better bass. With the ZYX's it's fairly subtle. With the 901's it was more obvious.

I feel that tracking improves with a higher resonant frequency.
I couldn't detect any tracking ability changes. The ZYX's always tracked and traced superbly when properly set up. The Shelter's didn't do as well regardless of setup. Of course other combinations may well act differently. Yours obviously does.

If very LF energy inputs (warps, footfalls, etc.) are causing tracking problems then tuning the arm/cart resonance a bit higher to avoid them could be an effective compromise solution. (Oy! Everything in vinyl is a big compromise. What a goofy way to reproduce music!)
Oh, forget it, Raul. You impressions are probably just as bogus as your demeanor, anyway. You seem to end so many posts with "Regards and enjoy the music", yet you show little or no regard for the folks on this site and do even less to further their enjoyment of the music. Sad, really. I've come to beleive that PA and Cello are correct, you truly need to seek help.
Dear friends: Here it is some info about the importance of matching the tonearm/cartridge, this info comes from a cartridge manufacturer:

" Hi Raul,,



The compliance from our cartridges is not relevant, if you have a good arm and turntable , you can track 300 µmm, with this cartridge so if you calculate and project this to compliance you get 70 but nobody believe that so, the important thing is the arm can work with cartridges from 10 Gr mass and more,

Second if you build in the cartridge set in full parallel to the record, first after ( with 180 our 200 Gr vinyl ) you listen to voice on a record and put the arm a little higher no lower settings and adjust you have the most air our room around the voice that play, that is the point
you leave it normal is this 1 or 2mm higher ( NO MORE ).
Regards.
Jan. ".
All days there are something to learn in audio, other than " the book ", the name of the game: " LIVE EXPERIENCE ", don't forget it.

Doug, as you know some one in this forum prove to you that your speakers are not only flat to 33Hz, but with serious difficult aproach only between 50-60Hz ( maybe less with your equalizers ), this is why you can't have a " live experience " on that subject and why I call you: inexpert, now: can you understand the whole thing?
Regards and always enjoy the music.
Raul.

Doug: I forgot: The BW specification for your 803 is: 42Hz
+,- 2db on axis, and you want that we believe that it is flat to 33Hz +,- 0db?.
Come on Doug, speak with the true through facts not " your illusions ".
Regards and enjoy the music.
Raul.