What seperates "hi-fi" from "mid-fi" in cdp's?


I find that in my search for the right CDP I really don't know what, mechanically, seperates the good from the not-so-good. Although I understand which brands are more highly regarded than others, I don't understand why.
Along those lines, I would also really appreciate a very brief description of the primary working parts of the cdp and how they differ among "levels". For instance, how does the number of bits matter? Or is it just another useless audio stat?
Or, if I am asking a bigger question that I think I am, maybe you could direct me to a good reference for this issue? Thanks JB3
jb3
This would be my short list in that price range:

Audio Aero
Naim
Muse
Cary
Sony

You can listen to what you can, either at a friends house (ask on this thread/in this forum if there is someone local to you to you who has what you are wanting to listen to and would be willing to have you pay a visit just to hear - there are plenty of Audiophiles who'd like to show off their system and share conversation with a fellow crazy), or at a dealer. Do research here, through reviews, and other real-world sites like AudioAsylum. Buy used at a fair price. Live with your choice for a while. If it doesn't click with you/your system just sell it here for a fair price and move onto something else. I've gone through many components that way to arrive at the systems that work best for my ears. I haven't really lost any money, and have had a lot of fun along the way and have met some really remarkable people, some of whom have become good friends.

Marco


PS If you are in Seattle during the time of your quest you can certainly look me up and listen to either a Naim CD5 or my Muse rig.
Ncarv - I'm guessing you must have been joking cause that just ain't so. You yourself have an excellent example of a fine CD player in your own system that can be had for a very reasonable price on the used market (as can many others), and yet can compete sonicly (is that a real word?) with some far more expensive alternatives, and likely even better them in some systems and to some people. I'd say anyone who chooses price alone to be a telling criteria to judge this is making a big mistake, especially in the price range being considered by the poster. A fool and his money will go separate ways.

Marco
I agree with the above posts about listening and forgetting about specs and bits. I disagree with the above posts that say that 16 bit is outdated. The 47 Labs DACs are 16 bit are currently produced and sound very refined.

Having said that, some things to look for are a beefy (and/or outboard) power supply and minimalist circuit design. Also, manufacturers that pay attention to resonance dampening (heavy chassis) and shielding (copper case) usually have fine sounding cdps.
True, Marco, BUT . . . I'm really using it as a transport and running it through a DAC and, with wires and iso devices, it costs about 3x the player, used. No doubt you can get a real nice player in the mid-fi range, but it's also true the more you spend, the better you get. I'm not knocking mid-fi. A Honda Accord is a real fine car, but it's not a Mercedes.