Best tonearm position for VTA?


What is the best position to have your tonearm in when setting generally for VTA? I have seen 3 arguments.First is with the tonearm parallel to the record surface.Second is with the tonearm "tail-down" from parallel perhaps 2-3mm and third is with the "tail-up" anywhere between 7-9mm as postulated by Van Den Hul in the phono FAQ on his website.
stefanl
Sirspeedy -- this is a little off thread but: When I see a certain U/N on a post, I definitely read it, or I never read it, depending. You belong to the former category. I don't always understand/agree with you, but your posts are often laced with a little humor; and you don't cling to knowledge as if you're never going to get any more!

But this morning, when I read the thing about the Leica Rangefinder, I laughed so hard I nearly sprayed coffee all over my keyboard!
Rnm4,
Just having a bit of fun, no intent to undermine Strauss (not even Johann!). There are passages in 'Till' whose harmonies remind me of the Stravinsky of 'Petrouchka' or even later. Strauss composed 'Till' 15 years before that, there's no question he was a pathfinder in his day.
Dan ed--I never mean to be condescending in my posts,and only mean to (when I can)be helpful.Maybe save some of you some time and wasted effort.My whole basic intent,after having,myself,tried every "CHACHKA" the hobby has to offer,was to stress that alot of the extraneous DO-DADS aren't really that important.The playing cards are fine,but,you won't have to fotz aroud "A THOUSAND TIMES" by simply dialing in very small changes and listening for them.

I and my friends do this constantly during new listening sessions.Without trepidation,and we always gain new insight.Sometimes something new and unrelated pops up.That being said,the "CARD" thing is a good idea,but as you gain experience with your stuff you won't have to rely on any additional gizmo's because you will know your stuff really well from "hands on" experience.
Speedy, I didn't take it that way, and you're post are extremely helpful to me. So please don't stop on my account. I just felt I needed to explain what I was about. It's pretty hard for me sometimes to get my thoughts across in written posts. (Wow, physical, vocal and facial expressions are really important!) Part of the reason I was looking for some method to use is that all of my analog front end is new to me, all of it coming in the last 6 to 9 months. I probably broke that rule about not changing too many things at once, but I gotta feed the beast.

I don't remember having this much problem with my old MMF 7, but then I only had the one cartridge for it. I had it dialed in pretty well and then pulled the arm to upgrade the wires and clips. Since I knew the position I could just return the arm there and be done. Right now it's not so easy cuz, as you say, I'm still learning and getting to know my stuff. I image if it had taken futzing with more than 4 or 5 cards I would have gotten frustrated and just done the gross movement thing. I think that's how I got messed up with the 103 in the first place. I'll get there before long.
Nsgarsh--I'll try to tone down my humor,now that I've copped a look at your "STUNNING" set-up!!Wouldn't want you to heave chunks of ungranulated Maxwell House at those gorgeous and "CLASSIC" Martin Logan panels!!