Trans Temp W, Magic Diamond cartridges - comments

Reb -- sounds like you have (and will have) good support components. Why don't you post your system here when you get a little further?

Just for your and Speedy's info, I checked my Transfig W stylus position (in the groove) under high power magnification, with the cartridge body (actually the top surface of the cartridge body) absolutely parallel to the record surface. The stylus is raked at approx. 1.25 degrees (with no down force applied) which is the average cutter rake angle. So it makes sense that the Transfig instructions say to start with the tonearm parallel to the record before fine-tuning VTA (really SRA as far as I'm concerned :~)

I'm not saying you should keep it that way, but it will give you a point of reference. vdH cartridges, by comparison, have zero stylus rake angle when the body is parallel to the record. So to get a 1 degree rake angle on a vdH stylus, you need to raise the back end of the tonearm between 4 and 8 mm from a parallel setting.

Further info on my initial settings for the TTW (please let me know what you come up with) are: downforce= 1.90g anti-skate= 1.4g. SME V arm parallel to record (for now). BTW, here's a tip for setting anti-skate force that is absolutely infallible, but which takes a little observational practice (and you do need an arm with a lifting lever like the SME) It is very effective with the Transfiguration V or W because the stylus is so easy to see from the front: With the arm up and positioned midway over the first track, with a strong light pointed at the front of the cartridge and (if your eyesight's like mine, a big reading magnifier as big a your face!) watch very carefully from the front, the position of the stylus/cantilever as you lower the arm. Just as the stylus goes into the groove, (and with no anti-skate applied) it will appear to move closer to the outside of the cartridge body (because the arm is trying to pull in toward the center of the record.) It's a lot more obvious than it sounds like it would be. Begin applying anti-skate until you can no longer perceive this movement and the stylus appears to stay in the same place in or out of the groove. No need for perfection here, your ears are for that. Better though to err a little on the side of too little rather than too much, and then you can increase it a little, if necessary, as your hearing dictates.

I have to assume(a guess)that the only diff. between the V and the W are the number of coil windings.I and a friend,both,bought the V together.We chose it over the W due to our experience in low vs high output.Low,usually a bit more revealing.In any case,High Fi News and Record Review has chosen this as their top performer,in moving coils.I purchased long after this,BTW.Also,I have to emphasize,again,that best performance is obtained with the body tilted BACK.Viewed from the side(if you have good eyes)the stylus tip should be vertical to the record,in play.Obviously,listening and adjusting,on the fly,will give best results.I spent too much time not really believing this,and wasted alot of listening.

I will not go on,as many have, of their own purchases,about it's superiority over the competition,however, it is an incredible performer.VERY low level detail/dynamics/true timbre of instruments,etc.

As a matter of fact,as I have heard quite a few of the elite cartridges in friends' systems,there really is a fantastic quantity of ABSOLUTE TOP performers out there now.I'll just bet that if there ever was a real cartridge SHOOT OUT,like the old days(of TAS,long gone,sadly),there really would NOT be a clear winner.So many are really GREAT!!

As a point of interest,hopefully,to some of you fellow hobbyists,The latest issue of Hi FI Plus has a fantastic interview with Mr van den Hul.,as well as a review of his latest designs.This interview,in particular,BLEW me away.There is a service to all customers that allows one to indicate what arm,table and general equipment we use,as well as our musical tastes.He then designs each cartridge,through the use of differing materials(platinum/silver/gold/copper coils,as well as body materials and cantilever length)to hand match out with,both the hobbyist's taste as well as arm and table.WOW!!I love this guy.Also,he is the ONLY person that touches your cartridge.No other employees.You can then send the cartridge back,after 200 hrs,for a tune up.No additional charge(though they are not cheap)for any of this hand design.I'm not affiliated,here,and don't own one,but if I were buying new,I'd really seriously consider a COLIBRI/custom.I don't care how good my Tranny is!

He blew me away,by stating that if one owns a large collection of original DECCA's (I DO),he can actually voice the cartridge for these.MAN O MAN!!I have to declare him the Viceroy of Vinyl!!Good luck everyone,and have a great weekend.

Hi speedy,

I know all about vdH's customizing service, and I think it's great (he reconfigured my Frog Gold for my arm and phono preamp.) But I think that the Transfig Temper is simply a better design (and build) than the vdH's. Just the diamond on a Transfig is a thing to behold (compared to a vdH stylus)

I'm having trouble understanding why you would want to get the stylus vertical in the groove (when viewed from the side as you say) when all cutter heads are raked. (An average of 1-2 degrees from vertical.) To get the stylus to "lock" into the groove undulations, and thus extract the most information, wouldn't you want it raked at the same angle as the cutter head was? It seems to me, especially with these new micro-ridge styli, that one would want the stylus rake angle to approximate the rake angle of the cutter head as closely as possible, no?

Hi Nsgarch: +++++ " But I think that the Transfig Temper is simply a better design (and build) than the vdH's. " ++++

I wonder: who in the world can say that. Btw, why the Transfig is " simply a better design than the vdH's " ?

If the quality music/sound reproduction is a proof of the design, then you have to hear a Colibri ( low output ) with the right analog rig in your home system after the Colibri returns for the tune up. Before this I think that your risky statement about has no validity at all.

I think that when we are talking of these high performance level all the cartridge designs are great ones and the main differences are in the designer music/sound reproduction priorities, the voicing of the cartridge and the execution of the design.
I can tell you which cartridge is better than other, but ( till now ) I can't tell you which is a better design and why it is. Can you?

Regards and enjoy the music.
Raul.

Raul, do you know the design of the transfiguration generator and how it is different from the typical yoke generator?