AR turntable With Ortofon OM 20 super? & phono amp


Okay this is my second thread on the Analog.. I have kinda decided to try running with an Ortofon OM 20 super, on "The AR turntable" basically from what I understand the same as the ES1, which I own Currently working perfectly... Now that being said, I realize yes the table is not the best for isolation and sound, was good in its day, and just changeing to a VPI package or something for 1500-2500 will of course be an overall upgrade, however I do not think I need to be in that catagory of Vinyl spinner honestly, I want GOOD, I would like Great, with substantial Bass, Soundstage and dynamics, but to what end, especially since I may use this table 4-5 times a month at an hour or so a time.

I am looking to pull out as much of the sound off whatever cartridge I end up with to the max whether the ortofon is a match I should attempt via the audiogon members or not, So a Good Gain phono pre is needed, solid Bass, high output, whatever it takes.. Used is the way I would like to go, would like to be in the 500.00 range or less for that, but would like to definatly hear a solid upgrade in the sound, I currently have the Cambridge Audio 99.00 Phono pre, MM only, It sounds decent and even better with good Vinyl recordings, but maybe I am missing something, I Don't know? And it does Sound Fairly WEAK with the output of an Older SHURE v15 that is mounted on the arm right now... Thanks for the further Help.
matrix
The cones should be threaded into the TT with the point facing down.

An effective CLD that can rest on top of an existing support structure can be built out of the following materials, working from top to bottom.

A layer of felt

a sheet of 24 gauge stainless steel

1" of industrial grade foam insulation

A layer of cork ( as used in a cork-board )

The felt absorbs any motor noise and damps any ringing that may be reflected from the bottom of the TT or generated from the sheet of stainless itself.

The stainless provides a solid platform for the cones to rest upon. Stainless isn't ferro-magnetic, so it won't play games with re-radiating the EM field generated by the TT motor like some cheaper metals would. You can use aluminum here, but it would have to be of a significantly heavier gauge i.e. give or take 20 gauge or so. This adds mass, which isn't what we want.

The foam acts as a "layer of loss" i.e. an energy sink for the vibrations that the cones couple and "drain" into the stainless. That same "layer of loss" also helps to isolate floor-borne vibrations from coming up into the TT.

The cork acts as another layer of loss, but in a different manner. Due to the difference in mass, density and construction, it is more effective in dissipating energy at specific frequencies and breaking up nodes.

There are multiple other ways to do this, but this approach is both cost effective and the materials are typically easy to obtain.

If you wanted to use this as a shelf itself rather than as a base on top of an existing shelf, you can add another layer of felt coated SS at the very bottom. This would provide the necessary rigidity to keep the shelf from buckling under the weight. This should be able to support most any component that you throw at it short of a heavy amplifier or very complex tube based preamp, etc... Sean
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I have an older OM-20 (not Super) that I picked up in a Goodwill and have used occasionally in a pinch. In my opinion, it's a very nice sounding cartridge for the money, which I could be perfectly content with. And if you decide later to upgrade, the OM30 stylus fits right into the same cartridge.
The OM20 is much higher output than the V15's were so you'll have more gain with your present phono stage.