Hey Alcides...thanks for all of the technical info and insight. I find this stuff fascinating. I was referring to rock/pop CDs in my rambling above, but I must admit...there have been a few jazz remasters that have made me wonder.
CD volume levels
I'm a bit confused by various recording levels I've found on CD's. While most fall in a narrow range of mastering/pressing levels, every so often, I'll run across a CD that was manufactured with a really hot (loud) level, while others are rather anemic (soft). I'm not talking about compression or limiting on the master tape, just the absolute mastering level on the CD. While I understand the physical limitations of cutting vinyl (a combination of science, art, with a little voodoo throw in for good measure), why would there be such a variation in the digital domain? Are there trade-offs with different levels when pressing CD's, just as on the analog vinyl?
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- 11 posts total
- 11 posts total