Hi everyone,
I've stayed out of this foray because it inevitably ends up a "us" versus "them" thread. I have a slightly different take on all of this because I have lived through the emergence of all these different formats. When digital first made the scene I was very threatened by the prospect of my software not being supported with replacement hardware. You know, all the bits and pieces needed to keep my analog engine running. I then was threatened by record outlets not carrying my type of software. That certainly came true. As stated earlier, digital made my ears bleed also. The entire decade of the 80's CD releases can be written off as unlistenable. The whole time I'm struggling to overcome the lack of new vinyl software and suffering the slings and arrows the proponents of the digital domain tossed at me. Comments like, "come out of the cave", "you're missing the dynamic range", "vinyl is dead, give it up", "the black background", on and on. I didn't sell my analog gear and library. Not because I had a chrystal ball or because I was smarter than the CD crowd, but because I was stubborn and didn't want to part with, perhaps, 2000 albums. When CD's became listenable I bought a player but whenever the music I desired was available on vinyl, that is what I bought because I am hooked on several aspects of vinyl. I usually prefer the sound of analog. I like a sizeable object to hold and find reading the liner notes to be a joy rather than the challenge of what one pulls out of a jewel case. I enjoy placing my new LP's in a plastic jacket cover, cleaning the vinyl and replacing the paper sleeves with rice paper sleeves. So what? I like hand waxing my car too. I think everyone here is missing some key points that need to be talked about. The big issue is COPYRIGHT PROTECTION. Have I got your attention? Vinyl will continue to be a niche market because there is no protection with that format. The spinning silver disc's will disappear because hackers will always be able to defeat the code. Only when manufacturers combine a cheap, licensed piece of material that is encoded with the data and impossible to duplicate will the dust ever settle in these wars. READ: A MUSIC CHIP. Unfortunatly, I believe that quality will be a side issue for a long time. We all struggle to make the most of what we have and I'm confident that incremental steps will be made to achieve satisfaction with most types of software. When the chip comes, the Redbook crowd will be suffering the same slings and arrows we vinyl guys endured and I promise you that you will cling to your source the same way we have. Just keep in mind that all of us combined are a niche market
I've stayed out of this foray because it inevitably ends up a "us" versus "them" thread. I have a slightly different take on all of this because I have lived through the emergence of all these different formats. When digital first made the scene I was very threatened by the prospect of my software not being supported with replacement hardware. You know, all the bits and pieces needed to keep my analog engine running. I then was threatened by record outlets not carrying my type of software. That certainly came true. As stated earlier, digital made my ears bleed also. The entire decade of the 80's CD releases can be written off as unlistenable. The whole time I'm struggling to overcome the lack of new vinyl software and suffering the slings and arrows the proponents of the digital domain tossed at me. Comments like, "come out of the cave", "you're missing the dynamic range", "vinyl is dead, give it up", "the black background", on and on. I didn't sell my analog gear and library. Not because I had a chrystal ball or because I was smarter than the CD crowd, but because I was stubborn and didn't want to part with, perhaps, 2000 albums. When CD's became listenable I bought a player but whenever the music I desired was available on vinyl, that is what I bought because I am hooked on several aspects of vinyl. I usually prefer the sound of analog. I like a sizeable object to hold and find reading the liner notes to be a joy rather than the challenge of what one pulls out of a jewel case. I enjoy placing my new LP's in a plastic jacket cover, cleaning the vinyl and replacing the paper sleeves with rice paper sleeves. So what? I like hand waxing my car too. I think everyone here is missing some key points that need to be talked about. The big issue is COPYRIGHT PROTECTION. Have I got your attention? Vinyl will continue to be a niche market because there is no protection with that format. The spinning silver disc's will disappear because hackers will always be able to defeat the code. Only when manufacturers combine a cheap, licensed piece of material that is encoded with the data and impossible to duplicate will the dust ever settle in these wars. READ: A MUSIC CHIP. Unfortunatly, I believe that quality will be a side issue for a long time. We all struggle to make the most of what we have and I'm confident that incremental steps will be made to achieve satisfaction with most types of software. When the chip comes, the Redbook crowd will be suffering the same slings and arrows we vinyl guys endured and I promise you that you will cling to your source the same way we have. Just keep in mind that all of us combined are a niche market