I do believe the Music Hall 25 and Sony ES could be improved by tube output mods. It is obvious the ss crowd is coming to grips with their unit's shortcomings.
The Jolida, on the other hand, does not need modification. It's electronics were fine tuned, after the first manufacturing batch. I wouldn't want to disrupt the synergy of the Jolida's parts.
My last ss cdp was a wildly popular Sony ES. An acquaintance brought over his early model Jolida 601. We listened to a good cut firstly using the sony. Next, we tried the Jolida. I took the Sony back to Good Guys the next day.
It was night and day. The Sony gave its best impression of what music sounds like, but the Jolida brought the music to life.
The JD100 is a serious improvement over old Jolida models. During my ownership of one, it has proven structurally sound. As has been noted above, the magic truly happens when fitted with triple mica black plate 5751 tubes. I have been preaching thus for two years.
The Jolida, on the other hand, does not need modification. It's electronics were fine tuned, after the first manufacturing batch. I wouldn't want to disrupt the synergy of the Jolida's parts.
My last ss cdp was a wildly popular Sony ES. An acquaintance brought over his early model Jolida 601. We listened to a good cut firstly using the sony. Next, we tried the Jolida. I took the Sony back to Good Guys the next day.
It was night and day. The Sony gave its best impression of what music sounds like, but the Jolida brought the music to life.
The JD100 is a serious improvement over old Jolida models. During my ownership of one, it has proven structurally sound. As has been noted above, the magic truly happens when fitted with triple mica black plate 5751 tubes. I have been preaching thus for two years.