Please post a follow up when you've settled on a solution. FWIW, I tried a Seismic Sink (pneumatic) under the Karik and thought it robbed some pace from the player. Too much of a good thing in the smoothness department. Audiopoints were better, for me, and the Seismic ended up under my preamp. I've never tried the Bright Star sandbox or the Roller Block, and the Aurios always intrigued me...
To Linn and Theta listeners...
I've recently upgraded my CD source from a Rotel 975 (as transport) and Theta Progeny (as D to A) to a Linn Ikemi. Rest of system is: Linn Majik, N805 biwired, PS Audio Power Plant, and Audio Quest Midnight Cables, room is heavily treated.
Now to the issue - I've lost some of the immediacy of my music. For example, female vocals have lost the goosebump factor (the breathyness, the crispness, the tension) in exchange for a greater smoothness. Also, some of the details of the insturments have been masked somewhat (the guitar plucking, etc). And while hardly unpleasent, the laid back nature of the Ikemi just doesn't pull me in the way the cheaper playback did.
So, to those of you who have heard both Linn and Theta, am I hearing the difference between two D/A approaches or could it be something else?
Thanks for your thoughts/time in advance.
Lee
Now to the issue - I've lost some of the immediacy of my music. For example, female vocals have lost the goosebump factor (the breathyness, the crispness, the tension) in exchange for a greater smoothness. Also, some of the details of the insturments have been masked somewhat (the guitar plucking, etc). And while hardly unpleasent, the laid back nature of the Ikemi just doesn't pull me in the way the cheaper playback did.
So, to those of you who have heard both Linn and Theta, am I hearing the difference between two D/A approaches or could it be something else?
Thanks for your thoughts/time in advance.
Lee
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- 9 posts total
- 9 posts total