Mr. Campbell --
Obviously, the whole topic of SACD is a complex one *FOR YOU.*
It is also apparent to me that, for you, this issue goes far beyond music. I guess I am supposed to go through your posts and figure out what I should answer and what I am supposed to ignore, which are your real points and which are just meant to act as filler between them, and then I am also supposed to validate the points you think you've made, ignore the points that contradict each other, ignore the holes in your experience, accept your 2nd hand hearsay -- even though I notice you misquote and misuse my statements in some of these rambles, etc. etc. etc.
For me, it is simple. From my first experiences with audio onward,
I have accepted that the equipment I use and the music I play on it
will be out of the mainstream, will cost more, will take some time and trouble to acquire and to "get right." But, it is worth it to get great music reproduction. So, frankly, I find all your "consumerist" complaints about SACD irrelevant -- ESPECIALLY on a board like this one. You know damn well there are web-sites that carry SACD, SACD's are NOT difficult for an audio enthusiast to find --they are difficult for a mainstream consumer to find. EVERYONE knows we are in the early phases and we are limited to the 1,500
or so SACD's available. Why should it matter to anyone who has the opportunity to explore SACD that your choices are limited by the shops in your town? I've never seen anyone else dog a piece of equipment because it isn't available at their neighborhood shop. Again -- this is STANDARD experience in this hobby. Frankly, it seems to me that you want others to validate your belief that because *you* have had a little bit of disappointment with your initial foray this must spell doom for the medium. But, I would wager that everyone on this forum has been disappointed by some highly rated piece of equipment and/or software on the road to audio nirvana. This is typical. So, I doubt you are going to get a lot of sympathy here. Your objections -- like your speculation that SACD will only live on as a toy for audiophiles -- would spell doom for everything we do on this forum. I find it objectionable that you have let your little disappointment -- whatever it was -- with one machine turn into this personal little crusade of yours -- especially when you pass on 2nd hand comments about equipment you've never heard. i consider that a foul. Then when you add the fact that you are sitting there with an esoteric piece of high end audiophile equipment listening to your redbook CD making these comments about SACD, I find your comments ironic to say the least.
Now, the original poster wanted to know about two channel SACD.
Pretty specific question. I would guess the poster wanted to know
if he/she needed a 5.1 system to enjoy SACD. My answer is, "no."
He/she also wanted to know if SACD is superior to CD. Who in the
world would think he/she was asking whether there was better
selection of SOFTWARE on SACD as opposed to CD? Short answer -- NOBODY. This is just common sense. I assume this
poster is interested in finding BETTER DIGITAL REPRODUCTION.
This road is going to lead to a consideration of SACD. My answer
is "yes, SACD sounds better." Finally, I didn't play guessing games
with the original poster's budget -- because I don't NEED to know
his/her budget. I assume the poster wants to hear the EXPERIENCE of other posters, so I shared with him/her the two
pieces of equipment -- at two different price points -- that I have personally had in my system and enjoyed. I also assume that this is probably one of the first questions on this poster's journey. When he/she wants to know about players in his price range, how much it costs to get great reproduction, where to find software, how much is available -- HE/SHE WILL ASK. If the pieces I mention are too expensive, I assume he/she will say so, I also assume others
will offer their EXPERIENCE at other price points -- etc, etc, etc, etc, etc, etc, etc, etc, etc. IMO, what you have to offer is that you
had a machine in your system and you didn't hear enough of a difference -- and then you didn't audition any other players because they were *UNAVAILABLE* in your area -- and that will be weighed against others who've had the same piece of equipment and DID hear enough difference, people who've heard SACD players that were UNAVAILABLE to you and enjoyed them, etc, etc, etc, etc. Then, the original poster and anyone else with interest in this thread will sift and weigh all this information and will form impressions, follow up questions, etc, etc, etc, etc.