Purpose of triangular placement of cones/spikes?


What is the idea behind placing cones or spikes in a triangular configuration rather than at four corners? For instance, under a cdp you usually see one in front and two in the rear corners (or vice versa).
Is it that the weight of the component or speaker becomes greater per point and for that reason helps to "drain" the component of resonance more efficiently?
Some other reason?
Thanks, Jb3
jb3
Subaruguru,
Mr. Kohan is correct provided one looks at a cone footers function without regards to the substrate material that the cone's tip interfaces with.It's not actually the cone itself which provides the benefits and so-called "directionality" but rather the cone footer's filtering effects makes damping easier for the substrate by raising their frequency, combined with the high pressures applied to the substrate,which, *when optimised* will promote localised deformations of the substrate material beneath the cone's tip and subsequent energy losses via their conversion to heat.

best,
Ken
GreaterRanges/Neuance
Barry, Welcome to Audiogon - your post is like a breath of fresh air - it is clear and easily understood (and of course I happen to share your opinions).
Unfortunately, perhaps - size, shape, material of cones, location of component in room (rack vs floor), vibration environment (urban, suburban, country) are all part of the puzzle, IMO.

geoffkait,
Machina Dynamica

(yikes! Another isolation/vibration control co.)