Thank you Matt for your ever-thoughtful observations... Am I correct to assume that you did not go directly from DSD-S into the Veritas, but you had your Criterion line-stage in the chain instead?
Guido
Guido
Absolute top tier DAC for standard res Redbook CD
Hi All.
Putting together a reference level system.
My Source is predominantly standard 16/44 played from a MacMini using iTunes and Amarra. Some of my music is purchased from iTunes and the rest is ripped from standard CD's.
For my tastes in music, my high def catalogues are still limited; so Redbook 16/44 will be my primary source for quite some time.
I'm not spending DCS or MSB money. But $15-20k retail is not out of the question.
Upsampling vs non-upsampling?
USB input vs SPDIF?
All opinions welcome.
And I know I need to hear them, but getting these ultra $$$ DAC's into your house for an audition ain't easy.
Looking for musical, emotional, engaging, accurate , with great dimension. Not looking for analytical and sterile.
Putting together a reference level system.
My Source is predominantly standard 16/44 played from a MacMini using iTunes and Amarra. Some of my music is purchased from iTunes and the rest is ripped from standard CD's.
For my tastes in music, my high def catalogues are still limited; so Redbook 16/44 will be my primary source for quite some time.
I'm not spending DCS or MSB money. But $15-20k retail is not out of the question.
Upsampling vs non-upsampling?
USB input vs SPDIF?
All opinions welcome.
And I know I need to hear them, but getting these ultra $$$ DAC's into your house for an audition ain't easy.
Looking for musical, emotional, engaging, accurate , with great dimension. Not looking for analytical and sterile.
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- 4487 posts total
Matt, thank you for taking the time evaluating the DSD-S! You are absolutely correct when you said: "it is about accuracy and presence". Though I understand that certain coloration would be favorable in some audio systems, this is something you will not find with my designs. I prefer linearity, naturalness and superb extension, while preserving the free-flowing ease of pure analog, and without a sign of digital glare. To make sure this is the case, I am recording from my reference Kuzma vinyl rig and then A-B against the digital using both DSD and PCM formats. Below is a link to a short video clip made by a visitor at the Sofia Expo 2013 using his digital camcorder. It is not a great recording and also MP3 quality, but it may give an idea about my audio system tonal balance: Video clip at Sofia Expo 2013 link Thanks again! Best wishes, Alex Peychev APL Hi-Fi |
- 4487 posts total