Meitner DCC2 vs. Analog - Opinions Please


I have been been contemplating the move to analog for a year or two, and have collected about 70-80 discs in preperation. I also have 600 or so CD's and a smattering of CD/SACDS.

I was thinking along the line of VPI HRX (7k or so used), a Shelter 90X cartridge (2.7k), and a phono-stage such as an ARC REF used (4.5k?) or Aesthetix Callisto (4-5k?) and interconnects ($500 or so). I would also need to reconfigure my rack and maybe get longer interconncets for my amps, but lets leave that out for now. That would add up to about 17k or so if I threw in a VPI 16.5.

Now, it seems I can get (new) the Meitner DCC2 and CDSD for the same 17K, less about 8-9k I could free up by selling my ARC REF2 MK2 pre and ARC CD3, for a total outlay of about 8 - 9k. I could also sell one pair of my Audioquest Diamond X3 (might not do this, I really like them) and I would not have to change my rack.

Can anyone comment on how close the Meitner gear might be to a rig such as I described? It seems like upgrading my CD player and adding SACD would be more cost effective than spending all that money to play less than 100 discs.

Also, can anyone comment about the pre-amp section on the DCC2 vs. the ARC ref2mk2?

Thank you all in advance for your thoughts.

Ron
rlips
I should add this: At the level of performance we're talking about, no one format (or playback device) does everything the best. There are things that, for example, the SME Model 30 does that the Meitner gear doesn't do quite as well (that utterly analog sense of ease and flow, for one thing--though the Meitner comes close in this respect), while the opposite is also true. On some recordings, the Meitner will excel; on others a great turntable will be preferable. You can't lose either way, IMO.
Audio999: Actually, I have heard the SME Model 20 in my system within the past year, and I still went with the Meitner. I've heard the Rockport, Model 30, and Walker Proscenium AT LENGTH in the systems of friends of mine . . . and I still went with the Meitner. Again, the Meitner and a great analog rig will do some things the other won't, but it doesn't necessarily make one or the other definitively better. I just happened to like the overall sound of the Meitner better in my system.
What great responses, thank you all. I heard a SME30 - clearaudio insider - boulder set up just blow away the DCS stack about 18 months ago, so I know how good analog could be. However, from what i hear, the meitner gear surpasses the DCS stack and, in my price range, the sme30 et al are not a consideration.

It seems as this may very well be a case of different, not better. I also will probably get a chance to A-B to DCC2 pre section to my ARC ref2Mk2, which should be interesting.
In my system I am using a Verdier Platine TT, Graham/Myabi arm cartridge combination, and Cello Audio Suite (with so -called "Premium" Phono section). It's rather good, and since I have thousands of LPs (mostly classical, but a handful of jazz) it provides endless enjoyment. Being somewhat of a lunatic, I decided to get the Meitner digital gear (DAC 6/Philips 1000) to play my small collection of CDs (~500) and SACDs (~100). The Meitner equipment is far and away the best digital I have heard, and on well-recorded SACDs there is little to choose between the Meitner and my analog set up. So, I suspect that it is almost purely a matter of personal taste at this point. If I were starting with no LPs, then given the cost of building a library, I think I would stay exclusively in the digital domain, even if it is not ideal. (This was, of course TWL's point.) It is impossible to justify such enormous expense on any rational grounds, but then audiophiles are not famous for sanity.
Rlips,

It seems to me that you are contemplating committing totally to analog without having ever tried it.
(Feel free to correct me if I am wrong, btw.)

I love analog, and certainly recommend it, highly in fact.
However, you seem to have decided that analog is something that everyone likes. It is not. Some people can not stand the hassle of cleaning records and having to be ever so careful with their vinyl, lest it be ruined by scratches, dust, pet hair, etc... Some people after awhile dislike the little pops, clicks and background noise that is a fact of life with analog. (And no, these things don't bug me, but it does some people.)

Might I suggest that you try out analog on a smaller scale, rather than going all out? (Even buying used, you stand to lose quite a bit of money if you don't like it, if you purchase the kind of equipment you mentioned. And you really stand to lose a bunch of money on records, as new vinyl is very costly, and used vinyl is always a source of frustration. (Some used record sellers grading systems need to be adjusted, a lot!) Don't give up on CD's either, as not all music is released on vinyl. (Such as Wilco's "A Ghost is Born" - It still has not been released on vinyl after it has been out for many months on CD. Bastards!!!)

I would suggest that you get something like a low end Teres model or a used Basis or even a mid-level VPI (i.e. like a scoutmaster), a Shelter 501 or 901 cartridge, and used Aesthetix Rhea. (The phono preamp is not where you want to go cheap though, IMHO). The total cost would be about one-third of what you were thinking of spending, and yet it would give you 90-95% of the analog sound of the more expensive setup you were considering. Try it out for a few months. If it works for you, then upgrade. (If you buy used pieces carefully, you will be out only a small percentage when you sell them to upgrade. (Which given your apparent budget would be almost negligible. Plus, you can upgrade at your convenience, piece by piece, which makes it more enjoyable as a hobby, at least in my opinion!

Anyway, those are my thoughts on the matter, which are worth every penny you paid me for them!

Good Luck in your search.