Eldart,
You would be surprised to find out how many music (and mastering) studios did NOT rush out and by PCM gear! Analog is pretty ok.
Most music studios today will still mix on an analog desk, SSL or NEVE, and sourcre from PCM or analog.
There is no professional DSD mixing solution.
The only PURE DSD is the SONY Sonoma Workstation. (8 Ch).
There is only a few of those around.
This is a complex topic,I was personally involved with a high channel count DSD mixing solution, that found no market. Doing DSD is super expensive at this point since traditional DSP chips are illsuited for the task.
Now, there are still planty of people who record analog.
The best (pop) SACD's I have are all sourced from Analog. Tracked analog mixed analog and EVEN mastered analog, then turned to DSD at the last step.
For popular music where you need high channel count, you can use an analog desk and analog recorder. For classical and jazz you seldom need more then 8 tracks for a good recording. So there are ways to make DSD that has not touched PCM. And indeed these will sound the best.
I can't argue the Analog, PCM DSD thing anymore. I've been there and done it many times over. For those who want to argue the difference, please list your qualifications or experiences first.
If you are serious about your DSD, better get a player that does not convert.