How do you deal with vibration?


Greetings all,

Many of us work very hard to keep vibration out of our equipment. I was hoping we could share our experiences with each other. I was wondering what other DIY methods people are using?

I personally have had good luck with shipping open cell foam under plywood. I find that about 60-70 percent compression works best. I place the foam underneath some plywood (Using spruce 3/4 inch). Then I place the component on the plywood. However, I think this more isolates the component from outside vibration. I don't think it does much to drain internal vibrations, especially in a CD transport.

Also I can not find open cell foam in town any more. I am ashamed to say that I actually went to Wal-mart to buy some. Now they don't carry it any more. So I was wondering where else I can get some?

I am currently thinking about building a Sandbox for my CD player and amp. Then putting the sand box on top of some sort of isolation material (open cell foam or cork rubber etc.) My thoughts are the foam or cork or etc should help keep the vibrations from getting into the equipment and the box should drain the internal vibrations.

Also, what are peoples experience with different woods. I live in BC so I can get most wood fairly cheap. I imagine every wood has it's own sonic signature due to it's resonant frequency. What works best? Solid maple, birch ply, MDF, walnut, mahogany etc...?\

Anyways, feel free to through ideas and experience (both good and bad) out there. It would be good to know what works and what doesn't.

Happy tweaking,
Nick
nickway
Nickway, FWIW, I have achieved the best results in DIY isolation products for components and turntables, much the same way as you have, by using a sandwich of materiels, usually a soft wood and a medium density foam product. What I use depends on the sensitivity and the weight of the component, but my purpose with all components is to prevent incoming vibrations and to allow the vibrations from components (either airborne or self generating (as in CD players) to flow to a substance that is absorbent such as soft wood. Unlike others I don't subscribe to hardwoods or stone products, and I usually want the mass of the vibrating component to exceed the mass of the substrate. IMHO sandboxes can work just fine with the sand taking the place of the foam product. FWIW, except with ultra sensitive equipment, I don't believe in fussing too much about this process. Much of the damaging vibrations your system will experience are airborne and most the damage is done before the vibrations reach the control devise. The cost of materiels is relatively cheap and its a fun Saturday project in the workshop. :-)
I agree with your methodology...

I too think that the battle is fought on two fronts:
1. Keeping external vibration out.
2. Dealing with internal and airborne vibrations on the component itself.

My idea was a sandbox for internal vibrations. Then have it sitting on foam (or cork or bike tire) for external vibrations.

I also think it helps to add mass on top of CD players when possible. I think it helps transfer the vibration into the absorption device (in this case a sandbox). I think it as helps dampen vibration in the transport through the chassis. Something like a sandbox sitting on or a slab of granite would work.

So within that do you find foam, cork, bike tires (or other) to allow for better isolation from external vibrations?

Cheers,
Tbg is correct that a wire moved in a magnetic field generates a voltage. But there is no reason to believe that the stray magnetic field is large enough or the vibration-induced movement great enough to have any measurable or audible effect.

The purpose of comments discounting the effect of vibration (except for TT and tubes) is not to debase anyone's belief. We don't care what Tbg believes...whatever makes him happy. The purpose is to forewarn newcomers who might think his opinion is accepted truth.
Actually, some of you just might be amazed at what proper vibration control can do to the sonics.

But of course I use the word proper implying that, as with most things, there must an improper way as well.

There are two basic camps of vibration control, the isolation and dampening aka decoupling camp and the mechanical transfer aka coupling camp. And there is actually another camp which is a hybrid of the first two camps.

And there are 3 main types of vibration/resonance that will reek havoc on the sonics. 1. air-borne, 2. electrical / mechanical (internally generated), and 3. floor-borne.

Nickway made the statement, "many of us work very hard to keep vibration out of our system."

The important question to ask of course is which of the 3 main types of vibration reeks far more havoc than the other two?

Because 'working very hard' really should mean nothing compared to 'working very efficiently.'

-IMO
Nickway, If you've done the sandbox thing well the sand should be absorbing, and not passing, any vibrations in any direction. But, if I were to do something like that, I would probably use some medium soft rubber product and spread it over a broad enuf area that it doesn't compress much with the weight of the box and component. Adding mass is advocated by Bright Star who, I'm sure you are aware makes sandboxes. I sort of agree - as I indicated I think the mass of the component should exceed the mass/density of the materiel it sits on in order for the vibrations to be absorbed - I'm not on overload on the subject. What I do believe in though regarding mass loading, is putting non resonant weights on things that do resonate easily and can as easy be heard, that is transformer covers, metal cases etc (however, that is not a universal indorsement of putting "magic bricks" on every thing in sight). Again, experiment and do what you think sounds best to you. BTY I do not use metal, glass or stone of any type for two reasons, they all ring (hit one with a hammer and you hear it) and because of their density they are not capable of absorbing vibrations in any meaningful way.