Actually there are two digital inputs: one AES/EBU and one S/PDIF optical. As Eldartford already mentioned, you can place the DEQ2496 between your digital source and your preamp, or you can feed the digital output to a DAC of your choosing, or use the built-in DAC's of your preamp if it has them. As I've mentioned in another post, I was testing this unit as a potential replacement for the Z-Systems RDQ-1 in a high-end audio system due to it's greater number of parametric EQ bands and greater overall flexibility. I wasn't actually expecting it to sounds as transparent as the many times more expensive RDQ-1, but was shocked that I was wrong (at least using it without any DA conversion; I have not tried it's DACS). What you don't get is the robust build quality of the more expensive 'audiophile' processors. I agree that it's definitely worth the $300 for the unit, but don't agree with Eldartford that it's worth it to spring for the mic and cable, although for just a few bucks more you might want to give it a try. I didn't think the auto-correction feature works very well.
Behringer as DAC?
I have read several very positive posts regarding the Behringer EQ. Several members have reported it to be completely transparent except for its equalization effect, even in very high-end systems. Has anyone tried running a digital signal directly in? If it can disassemble and reconstruct the sound of a high-end player, doesn't that mean it is at least as good as that p[layer? Or do you need the high end player to somehow fill in the blanks between samples that the Behringer can't do? In other words, can I upgrade by selling my $7500 player and replace it with a $300 EQ and a $200 Pioneer player w/ a digitla output?
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- 8 posts total
- 8 posts total