First, to answer Sean's question about wiring and voltage drop in the Hydras. The Hydra 8's outlets are all wired individually and run from each outlet to the internal chassis that has the Copper buss system and FeSi 1002 compounds within, so with the 8, the point is moot.
The Hydra models 4 and 6 duplex outlets are connected consecutively with 2" silver/rhodium plated buss straps--as pictured on our web-site. The measured Voltage drop across a 2" 9 gauge silver plated buss strap is so small that it is irrelevant to operation and could not possibly create a voltage sag that would harm or otherwise alter the performance of electronics that are connected. There will always be a common point at which current converges no matter the wiring or buss arrangement, so pointing to this as evidence of inexpensive construction quality is far off the mark. Running wiring from the individual outlets in the 4 and 6 would actually be *less expensive* than designing and manufacturing the silver/rhodium buss straps. Caelin made that design choice to improve the units performance, not to cheapen manufacturing. We did have measurements posted in our technology section that show the outlet-outlet isolation in the 8 but Caelin wanted to update that and re-post with more complete test results. Caelin will be re-posting a recently completed set of measurements representing the circuit isolation of all the Hydras. In the mean-time, the fluke 43 power analysis results can be seen via our SoundStage Hydra 8 review-link:http://www.soundstage.com/revequip/shunyata_hydra_8.htm
To answer the other questions regarding Hydras, the most relevant difference between the units performance in Audio/studio applications is not the number of filter elements used, necessarily, but the difference in the units buss architecture. The Model 8 uses all copper wiring and a massive (7lbs) Copper buss, milled from solid ingots of CDA 101 copper. It also has the patented compounds surrounding the buss structure. The Hydras 6 and 4 are more minimalist in design (purposefully) and use the more direct-connection-silver buss (minimal contact impedance, minimalist AC path) construction. These differences mean that the Hydra 8 will have a more robust tonal presentation, it will sound more rich, full-bodied, but slightly slower(subjectively speaking) than the more immediate, forward presentation of the 6 and 4 models. The Hydra 2 splits the difference tonally because it has no buss and only has the 9 gauge copper wiring running from IEC to outlet. The Hydra 8 is definitely our reference, and that is the product I generally recommend when working with studios, but the smaller units might actually be preferred in predominantly tube or all analog systems--it depends on one's preference. Sony Music New York preferred the models 6 and 4 because to they seemed more "Transparent" with mastering equipment, while other studios such as Astoria and Rick Rubin preferred the 8 and the 2's because they had more weight and richness...
When working with 2-3 dedicated lines, it is best to try model 2's for amps on separate lines whenever possible, and then choose the Hydra to evaluate that best suits the number of components that make up the rest of the system. If cost is no object, then an 8 is our reference, but the 4 and 6 might be worth trying if you only have 2-3 other components.
I hope this helps answer some of your questions.
Regards,
Grant