One thing I noticed looking at your room photos was not only the front wall height of your ceiling, but the angle at which it comes back down toward the listening position. If I am seeing it correctly, the angle is approaching something like 45 degees, with the height at the back wall being close to normal 8 ft. This means the first reflection point for the sound off the ceiling is almost over your head, instead of half the distance between the listener and the speaker, as with a normal flat ceiling. This in turn implies of much shallower degree of off-axis positioning of the reflection point relative to the speaker's higher-frequency drivers, which could be affecting the spectral content of the reflection. Since speakers are voiced to sound correct with conventional ceilings - insofar as their dispersion roll-off characteristics will affect the perceived balance of direct/reflected sound - I am theorizing that your ceiling configuration could be unduly brightening the resulting tonal balance. If true, this would point toward some kind of acoustical treatment for your ceiling first-reflection point as a remedy. I may be in over my head with this idea (bad pun!), but it seems to make sense, so maybe consulting with someone qualified in acoustic design before doing anything would be indicated. Good luck!
I need to be wowed
Next month I'll be starting my hunt for new speakers...new to me, at any rate.
And I will be obsessed...
What I've got:
Arcan Alpha 9
Plinius Integrated 2100i
Analysis plus 12's bi-wire
and shortly HT Pro MK2 IC's
and a *DOUZY* of a room:
http://www.geocities.com/sundaesundaesundae/audio.html
Oh, that room.I think that's the key....I learned early on how much room interaction plays in sound.
I listen almost strictly to classical music....small ensemble/piano/violin/but yearn for large scale to sound
wonderful too. Also listen to acoustical classical/folk/female singers...
What I want:Tonal quality most important....I tend to like laid back/dark sound but needs to be involving and have intensity...
and oh, yes....they must come in black.
What I don't want: Bright tweeters!
Just for comparison I had wanted to hear some stats but have been told there was no way bipoles could work with
in my room....although someone suggested Innersound Isis ....and Gradient(out of my price range)..
I had also been intrigued for a while by Newforms but the fact that most who own them feel the need to do
mods bothers me....I want to own them....not build them...
Any suggestions will be much appreciated!
And I will be obsessed...
What I've got:
Arcan Alpha 9
Plinius Integrated 2100i
Analysis plus 12's bi-wire
and shortly HT Pro MK2 IC's
and a *DOUZY* of a room:
http://www.geocities.com/sundaesundaesundae/audio.html
Oh, that room.I think that's the key....I learned early on how much room interaction plays in sound.
I listen almost strictly to classical music....small ensemble/piano/violin/but yearn for large scale to sound
wonderful too. Also listen to acoustical classical/folk/female singers...
What I want:Tonal quality most important....I tend to like laid back/dark sound but needs to be involving and have intensity...
and oh, yes....they must come in black.
What I don't want: Bright tweeters!
Just for comparison I had wanted to hear some stats but have been told there was no way bipoles could work with
in my room....although someone suggested Innersound Isis ....and Gradient(out of my price range)..
I had also been intrigued for a while by Newforms but the fact that most who own them feel the need to do
mods bothers me....I want to own them....not build them...
Any suggestions will be much appreciated!
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- 57 posts total
- 57 posts total