Absolute top tier DAC for standard res Redbook CD


Hi All.

Putting together a reference level system.
My Source is predominantly standard 16/44 played from a MacMini using iTunes and Amarra. Some of my music is purchased from iTunes and the rest is ripped from standard CD's.
For my tastes in music, my high def catalogues are still limited; so Redbook 16/44 will be my primary source for quite some time.

I'm not spending DCS or MSB money. But $15-20k retail is not out of the question.

Upsampling vs non-upsampling?
USB input vs SPDIF?

All opinions welcome.

And I know I need to hear them, but getting these ultra $$$ DAC's into your house for an audition ain't easy.

Looking for musical, emotional, engaging, accurate , with great dimension. Not looking for analytical and sterile.
mattnshilp
Matt - the Overdrive SX will not support DSD. DSD will likely be supported in a new less-expensive DAC I have planned. It will probably not have XLR outs or volume control, but the plan is that it will be DC-coupled.

Steve N.
Empirical Audio
Hi Paul79, you do have a very valid point, and I may just get these tubes any way, If you do not mind me asking, How is it that you know so much about tubes?, maybe you should disclose what audio company you have and what you sale, none of us mind, I have looked a couple of places for the mullard 10m and the CBS 7318 with no success, the couple of places is well regarded as having the real mccoy tubes that most people are looking for, and they have extensive testing equipment, an example of such tube dealers is Andy Bowman of vintage tube services, and another is Jim cross of vacuumtubes inc., and Jim Mcshane, just to name a couple out there, I admitt though, I have not talked to Andy Bowman yet, could not get him on the phone, LOL!, so I do not know what he has or can get, paul, you seem like a good guy, but from what I have been told about the tube market, you can never be to carefull!, who knows, we may still do business on some tubes you sale, you have been very good to me here shareing your knowledge of tubes, that my friend does go a long way with me, cheers.
audioengr, Hi steve, do not laugh!, when you said a player you are going to make is DC-coupled, does that translate to a tube digital player?, thanks steve.
Why NOS Tubes are better:

6moons industry features: A visit to BTB Elektronik

Okay, but you inventory much which would seem of interest to the high-end valve lover. So what’s up with the NOS trend? I mean, really, isn’t it mostly retro? Telefunken simply looks cooler than Sovtek stamped on the glass? Or are there bona fide advantages of quality and sound? Are we really to believe that valve quality and production processes have devolved over time?

The explanation is simple. In the 60s when valves enjoyed their halcyon days, the average German income was about 500 Deutsch Marks and an EL34 of the era sold for 15DM. If you transfer that relationship to 2012, an EL34 still sells for about €15 whilst the average income has come up to €3.000/month. It’s easy to see that tubes today are far more affordable. Hence the inverse is true too – price pressures on manufacturers are much higher today. Because valve production remains about 90% manual, you can’t compensate with automatization. In the past selection was much tighter and rejection ratios were far more generous. Today things make it to market which would have been trashed then. That’s why the quality of vintage valves tends to be quite high to make NOS much more than just a fascination with retro.
Hi Steve, if I understand correctly, your future lower end DAC will support DSD, while your higher end OV-SX will not.

This is fascinating... I am curious as of the reason for your strategy?

Saluti, G.