The Klipsch Heritage series reproduces a live event very well. If you have the space, the LaScalla can be found used in your price range. Two very simple tweaks will bring this speaker to a higher level. 1 - Dynamat on the horn. 2 - Liquid nails on all the seams inside the cabinet. This really tightens up the bass and surprisingly broadens the soundstage. If you want to go with tubed amplification, the Klipsch is a great match. The Lascalla is very sensitive at 104db/watt so any weakness in the system will be easily noticed.
Speaker recommendations / live concert recordings
I have decided to look for speakers in the $900-$1100 price range. I have an old Akai receiver and an equally old Magnavox cd player, both of which will be upgraded soon after i purchase speakers.
I am looking for some advice on what to look for in speakers to listen to live rock/jazz concert recordings on. Most of the recordings i listen to are done with 2 (sometimes 4) microphones, a mic preamp, a/d converter, and a DAT deck. All components used are usually of the highest quality. The location of the microphones can be anywhere from on the stage lip to 100 feet from the stage. The performances are usually played in large venues such as the Spectrum in Philadelphia, small bars, and anything in between. Please look at this page to get a better idea of the types of recordings i listen to:
http://db.etree.org/kevinkachel
i want to reproduce the sound in the venue as it's heard when you're there as accurately as possible, however, some of the recordings have a lot of low end and can be quite "boomy." I will want to have the ability to remove some of this while listening. what would be the best way to do this? would the bass response knob on the preamp be enough, or would an EQ do a better job?
thanks in advance for you opinions.
kevin
I am looking for some advice on what to look for in speakers to listen to live rock/jazz concert recordings on. Most of the recordings i listen to are done with 2 (sometimes 4) microphones, a mic preamp, a/d converter, and a DAT deck. All components used are usually of the highest quality. The location of the microphones can be anywhere from on the stage lip to 100 feet from the stage. The performances are usually played in large venues such as the Spectrum in Philadelphia, small bars, and anything in between. Please look at this page to get a better idea of the types of recordings i listen to:
http://db.etree.org/kevinkachel
i want to reproduce the sound in the venue as it's heard when you're there as accurately as possible, however, some of the recordings have a lot of low end and can be quite "boomy." I will want to have the ability to remove some of this while listening. what would be the best way to do this? would the bass response knob on the preamp be enough, or would an EQ do a better job?
thanks in advance for you opinions.
kevin
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- 16 posts total
- 16 posts total