Merlin VSM-M or VSM-MX vs. Kharma CRM3.2 series

Rcr I would expect that without the BAM what you heard was quite a bit leaner presentation than what you would hear with it. If you have not heard this speaker with the BAM in full battery mode I am confident your listening impressions would be different with reference to texture, density, image depth, soundstaging and tonal balance not to mention bass which is in a different league taking into strong consideration the power rating and damping factor of the amp to be used. On the other hand, I didn't hear the Kharmas with the Tenor which seems to be a synergistic match of the highest order. Some day I hope to.

Hi Rcr,
I'm afraid that you have no idea what the Merlin VSMs sound like without the BAM. The BAM is part of the system and is in fact the speaker's management system. It would be like driving a Vette on 3 wheels and saying that its handling and acceleration are suspect. Resolution, depth, extension, purity, tonal balance and dynamics are all greatly improved when it is used. There is also the matter of which finish Merlin VSM you had because the clearcotes are quite superior in resolution again. IMHO, the Tenor is a better match with the 3.2 than the Merlin and the Joule is a better match with the Merlin than the 3.2. Comparing the 3.2s and Tenor to the Joule and Merlin VSM M or MX would prove quite interesting.
Bobby@merlin

"I had the opportunity to hear the 3.2's with Lamm electronics and felt it was easily among the most musically involving systems at the show."

I really do believe most audiophiles have lost touch with what has to be considered the reference point for hifi sound: live music. I was at the NY show as well. The Kharma 3.2/Lamm room was a standout in my mind too-- as Worst Sound at Show. Highlighted edge definition, thinness, stridency... this system had it all. So your opinion of what sounds good is very different from mine. I don't know what your yardstick is, but mine is live music. That being the case, IMO the Merlin gets miles closer.

Thanks Kevin for your input. I heard others say the same as you. On the other hand, Bob Harley said it was the best to his ears. My yardstick is live music too. I've played it enough and listened enough over the years and I'm sorry to inform you if you haven't already noted by now that live and recorded are 2 different experiences. One can only hope to capture the essence of the performance through an audio system and to get involved in the performance. In the here and now I'm just afraid to report I haven't heard it duplicated. btw, I did enjoy the Merlin room more than any other room at that show, NYC 2002, of course I may be prejudiced :)

I recently heard the Kharma CR1's with Tenor's. Absolutely a phenomenal combo. One of the best soundstages I have ever heard and high's that were airy and open. The bottom end is also very tight and extended, with no bloat. In some ways I wish I had NOT heard them, now I want them, and the combo is muy pricey.
Have not heard the Merlin's, but I seriously doubt they could be in the same league, I have rarely heard a better sounding system. The CRM3.2's are supposed to be even better..WoW!