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Kharma Sub Set Up- Review

I’d like to share my experience with other Kharma owners regarding integration of the new Kharma subwoofer with main speakers. I use CRM-3.2FE as my main speakers and was very excited when Kharma finally introduced a sub. With that said, I also acknowledge that I have tried numerous REL products (Stentor III and (2) Stadium III’s)
on different occasions with mixed results at best. The REL products were used with other speakers (Wilson WP7’s and Maggie 3.6’s).

My room is a finished basement approx. 18x23x7’4” with carpet over concrete.

Like most of you have seen at the recent shows (or pictures from the shows), the general consensus is to place the sub between the left and right speaker when using a single sub. The Kharma manual also states that this is a good location to start with.I initially set the crossovers in accordance with my dealer’s recommendation which proved to be a good starting point. BTW, the Kharma sub is the most tunable/adjustable subwoofer that I’ve seen. My results with this set-up were in my opinion OK and by far the best integration I’ve ever achieved with a sub. Well, that was until …….yesterday.

I called a friend in the area whom some of you may know, “Romy the Cat” and asked if he could help me with set up. I’ve known Romy for some time and trust his skills in system set-up and pointing me in the right direction in my quest for audio perfection.

Romy visited yesterday with all the tools of the trade. These included professional spectral RTA, RT60 and phase meters. His comment when first listening to my setup
was the integration was “deplorable”. Volume 8-10 db too high, phase off, peaks and valleys in the frequency response. These comments were based on his “ears” and not the test equipment. He also said the sub will never be optimized between the speakers.

Well, I insisted we measure the sub with my setup and Romy all the test substantiated Romy’s initial findings. Frequency response had peaks and valleys to plus 12db at 25 db to minus 11 db at 63 and 80 HZ. We moved the subwoofer to the corner behind the left speaker and after much experimentation/testing (3 hours) found the flattest frequency response to be with the sub driver FACING the sidewall. The driver is literally 4-5 inches from the sidewall. Our final settings on the sub were to cross it over at 17HZ and 70 HZ. with a 12 db/octave slope. This produces a relatively flat response in my room from 20-120 HZ. The worst peak or valley being –3 db around 40 HZ.

So how does it sound…………..absolutely stunning. Whether I’m playing acoustic jazz, electronica, rock or classical the sub integrates seamlessly and plays every note with weight, depth and the proper harmonic structure while completely disappearing (ala 3.2’s).

Anyone considering the purchase of this sub should take the time and effort to properly set it up. You will be rewarded handsomely.
rcupka
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owl
139 posts
 
Howie, agreed, the tonal balance and matching the speakers to the sub is what I think/suspect keeps them so well integrated. If you could hear Rcupkas setup you would know instantly just how seamlessly they perform together, I would think tonally matching them is critical especially when they're crossed over so high, at 70hz and yet they still have to speak in "one voice". Perhaps the REL's can do it, as I stated I'm not sure. When I said room lock, I also implied sub/sat lock as well because that's just what it sounds like, a seamless death grip all of "a piece" that might just embarass some very high end full range speakers I've heard. What I do know for sure is that the 3.2's are taken to not just another level (full range), but another plane entirely with the Kharma sub set up PROPERLY that just goes way way beyond the sum of the parts.

It's seriously blown my mind because I know the 3.2's well (I think) and have lived with them for a while and never would have thought it possible, period. The lesson here is that we know what we know but we don't know what we think we know that we don't know. We all spend lots of time and money on our systems/obsession and yet don't invest in getting our rooms or setups to the next level. Room treatments and construction are one level but doing a realtime analysis of what is really happening in your room with your equipment at the listening position is, I think, the critical missed step of being serious about this hobby and possibly creating something that goes beyond just good sound.
sirspeedy70680e509
1,064 posts
 
I am feeling a bit guilty,and hope I didn't seem too "pushy" in my remarks.You have great stuff,and I hope you get endless enjoyment from it!!My gripe is that the pricing of MUCH (specifically Kharma) is WAY,WAY out of line.Take a look at the Kharma line pricing of 3 years ago and compare to now.Different importer,less selfish, IMO!I love the stuff,and could buy if I so chose,but,I've been at this a long time and find much pricing in the high end WAY out of line.I think a product like,for EX: the TAD-model one speaker,at 45,000.000 is pricey,but worth the money,when I break down it's design.I have the full white paper on tnat system.Also,the EPIPHANY stuff is great and priced fairly.These are some examples.The Kharma line went up 33% this past year.There is no excuse for that.Not even the US dollar.The only speaker in that line to hold price was the fabulous but already overpriced mere 70 lb 3.2.It amazes me how a consistent mentioning of the Kharma line by Mr. "V" helps to sell product,and make the "fat cats" rich.Sorry,I'll not fall for it.I don't like to rationalize my passions!!Admittedly,that still does not affect the fact that you have WONDERFUL stuff.Enjoy.I'm just venting.
howie
230 posts
 
Ya it sucks that this level of sound quality needs to cost so much. Not that you can't get good sound for less, but even at this level, there aren't enough great recordings out there that is satisfying in its own right compared to a good live session. The 3.2s were a huge purchase for me and I don't know if I'll do it again even though I don't regret buying it. I always feel bad when I think of all the money invested.

But ya, the 3.2s plus sub combo is essentially a 30K speaker system. I wouldn't say it's overpriced since it's certainly competitive with other 30K speaker sytems but it's one expensive sub especially with the price increase. Since I have yet to upgrade my source that's going to be priority over adding a sub. I don't know if I'll ever own a Kharma sub. The REL Stentor is quite a bit cheaper and might work beautifully. It also depends on how one plans to keep these speakers.
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owl
139 posts
 
sirspeedy/howie, don't blame you for venting at all and I'm not defending the pricing as I certainly believe it is indefensable. Value is certainly becoming a much more relevant topic in these posts as prices go up for both imported and domestic products and things truly are getting out of hand, stoked by the audiopress machinery. Manufacturers seem to keep coming out with more statement products that are intended to open up perception of the value of their lower ended products and get them great press, reviews etc. Unfortunately we audiophools keep purchasing these statement products and it keeps driving lower end pricing as well. Yes, agree that there are some products that seem to get great reviewer coverage due to less than the most apparent reasons but when you attend shows like CES and see the people who are behind the audio heating machinery you do get a feel for what is real and what is part of the machinery. Nobody forces people to purchase any audio product. We all decide how to spend our hard earned money and what really takes us closer to our conceptions of what reproduced music should sound like. There is no gun pointed at our heads, there are also no Ralph Naders in the industry to protect us from ourselves. Only you can decide what makes sense for you in the long run.

For me personally, I actually can't believe how lucky to have bumped into the Kharmas and every day enjoy them more. They allow me to suspend thinking about the "gear" and place more focus on enjoying the music. I have to say every listening session is in my opinion far more rewarding than going to a concert where you may have poor seating, distractions, poor sound systems etc. I'm always front row center and attending a "live" concert in my listening chair every night. Unlike the rapid and frequent procession of other speakers I've bought and sold at a financial loss, the Kharmas to me just allow a focus on the music. Other speakers I've had (unnamed) always eventually pointed out their flaws after some time with them, making me like them less and less. Some more than others, some right away and some took longer. I'm getting the opposite effect with the 3.2's. Will I keep them forever and are they flawless? I'm sure not, but I can't see anything, even "statement" speakers anything but a sideways move at this time. Are they a good value? I don't know. I do know that when I heard them with the Kharma sub, all the pieces came together and they DO become perhaps the most significant high end "value". Whatever that is these days.

Again, this is just my opinion,so don't hang the messenger, but I'd rather have the combination than some of the $60, $75k and $120k well respected by the audiophool press speakers I've heard recently. And it's not even close, folks. YMMV
rcupka OP
47 posts
 
SirSpeedy: I just don't get it!!!! I've watched your posts on the Sonus Faber Strad's and other posts and you seem like you're on a mission to bash J. Valin, GTT audio and Kharma because of marketing, perceived collusion and pricing. Why not just INITIATE A POST with that as the subject matter.

The intention of this post was to HELP other current/potential Kharma sub owners with integration of their subs. NOTHING MORE......NOTHING LESS.

You've obvioulsly tried to take this and twist it into some personal agenda "hot button"

Anyone who is interested with the true topic of this discussion can send nme a privat email.

So long.

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