Well, I went down to the hi-fi shop that had the used Perreaux, and hooked it up to a modest used pair of Aperion 2-way towers. The speed, clarity, pace, and--still most importantly--the correct timbres and tonalities came through. It easily delineated different recording and miking arrangements from one record to another without it being distracting.
Wide bandwidth and high resolution can be a double-edged sword, but this amp always comes out in favor of musicality over clinical scrutiny. The fast risetime enhances initial transients and overall rhythm and pace, as well as room acoustics, low level detail, and inner detail as well. Basically it makes everything better because you get more musical information, sort of like going from 128 kbs mp3 to 24/192Khz HD digital downloads.
Then when I got home and hooked it up, it sounded great but I discovered that when my previous amp went south it took my right tweeter with it. Aaargh!
Wide bandwidth and high resolution can be a double-edged sword, but this amp always comes out in favor of musicality over clinical scrutiny. The fast risetime enhances initial transients and overall rhythm and pace, as well as room acoustics, low level detail, and inner detail as well. Basically it makes everything better because you get more musical information, sort of like going from 128 kbs mp3 to 24/192Khz HD digital downloads.
Then when I got home and hooked it up, it sounded great but I discovered that when my previous amp went south it took my right tweeter with it. Aaargh!