Hi Al, the significance isn't. IOW, yes, to your first question. As to the second, no, simply because, well, the term is IMO mis-used.
To be clear here what I am saying is that the actual impedance of the circuit is not changed. IOW what is reasonable is that the amplifier using feedback and operating within its capabilities probably means that it is able to act as a voltage source. Now if the load is entirely resistive its probably not of much consequence. At any rate we are still talking about servo gain in the amplifier if it has feedback- and that servo gain does not actually affect its output impedance.
It is a lot easier to understand this when you look at the example of an amplifier trying to drive a lower output impedance, especially one that might be too low for the amplifier to do efficiently. Then its easy to see that feedback has no effect on output impedance.
Because of this I have really been of the opinion that a different term needs to be used, so that understanding of what is happening comes a little easier. Remember Bombaywalla asking me about intelligent amps? Because the feedback affects voltage response, it works out that it will cause the amp to make less power into higher impedances, which can work nicely if that higher impedance is a peak brought on by resonance.
The problem of course is that feedback also contributes to unnatural brightness in amplifiers, by adding trace amounts of odd-ordered harmonic distortion up to the 81st harmonic (see Crowhurst). Because our ears use these harmonics as loudness cues, we are very sensitive to them- so much so that amounts that are nearly impossible to measure with current equipment are not hard to hear.
So if we can be clear about what is happening, we will have an easier time charting our way to making the equipment do what music and our ears expect.
If we are confused about what the effects of various design considerations are on the behavior of the amp are, its guaranteed to be a muddle, and that is what the majority of the audio industry has been in for the last 40 years or so (by this I mean that the ideal in amplifiers under the Voltage Paradigm really has not changed all that much in that time- just look at how well an old Citation 12 can do against modern solid state).
I have no doubt that this is part of why tube amplifiers are still very much with us 50-60 years after being declared obsolete. Heck, tubes have been obsolete for longer than when they were the only game in town. Obviously, the use of that term is also mis-applied :)
To be clear here what I am saying is that the actual impedance of the circuit is not changed. IOW what is reasonable is that the amplifier using feedback and operating within its capabilities probably means that it is able to act as a voltage source. Now if the load is entirely resistive its probably not of much consequence. At any rate we are still talking about servo gain in the amplifier if it has feedback- and that servo gain does not actually affect its output impedance.
It is a lot easier to understand this when you look at the example of an amplifier trying to drive a lower output impedance, especially one that might be too low for the amplifier to do efficiently. Then its easy to see that feedback has no effect on output impedance.
Because of this I have really been of the opinion that a different term needs to be used, so that understanding of what is happening comes a little easier. Remember Bombaywalla asking me about intelligent amps? Because the feedback affects voltage response, it works out that it will cause the amp to make less power into higher impedances, which can work nicely if that higher impedance is a peak brought on by resonance.
The problem of course is that feedback also contributes to unnatural brightness in amplifiers, by adding trace amounts of odd-ordered harmonic distortion up to the 81st harmonic (see Crowhurst). Because our ears use these harmonics as loudness cues, we are very sensitive to them- so much so that amounts that are nearly impossible to measure with current equipment are not hard to hear.
So if we can be clear about what is happening, we will have an easier time charting our way to making the equipment do what music and our ears expect.
If we are confused about what the effects of various design considerations are on the behavior of the amp are, its guaranteed to be a muddle, and that is what the majority of the audio industry has been in for the last 40 years or so (by this I mean that the ideal in amplifiers under the Voltage Paradigm really has not changed all that much in that time- just look at how well an old Citation 12 can do against modern solid state).
I have no doubt that this is part of why tube amplifiers are still very much with us 50-60 years after being declared obsolete. Heck, tubes have been obsolete for longer than when they were the only game in town. Obviously, the use of that term is also mis-applied :)