Legacy Speaker Owners Assistance Request

Tom, I'm glad you're enjoying the process of building the rig. It is terrifically gratifying when one hears the result.

You don't have to switch the wiring with the 5.2 processor; just feed the two channels of the stereo pre into the inputs of the 5.2, but make absolutely sure the main L/R inputs are calibrated for the level of the stereo preamp feeding them! It's not hard to do. One way to ensure you never have an accident is to put the volume down entirely every time you use the stereo preamp when finished. Also, check that it is down before starting up any video, surround music, etc. There is slightly more degradation of the L/R when doing video but the benefit by not having to rewire to hear stereo music is important too.

I do that very thing; whatever I have as my stereo preamp for music I feed into the main L/R of the 7.1 Outlaw processor for surround AV. Works great!

I use 10 Ga for all drivers and typically have achieved superior sound across the frequ. spectrum by doing so.

Sounds like you're getting closer to your goal.

Thanks!yes getting closer>
An out of the conversation question for you.
Have you heard the PTE Phoenix and with the statement sub by any chance.
Thinking you are at RMAF
Thanksgiving weekend here
Good luck
Tom

I've used a HT 7.1 pre-proc and 2-channel pre-amp in 2 different configurations; it works best if your HT pre-proc has an analog bypass feature that you can set that skips the DSP processing in the HT Pre-Proc and allows you to enjoy the front two channels for 2-ch listening without the DSP in the middle. Check the docs of whatever proc you intend to live with and ensure you can elect to skip the DSP to make the most out of the pre-amp without swapping cables around, etc....You'll not have any of the the surround modes or bass management (to an LFE subwoofer .1 channel) but you will be able to hear 2-ch straight away and hear the pre-amp you purchased using a pure analog path.

Your 2-ch pre-amp should allow for a 'theater bypass' mode to be set on a given input such that the HT Pre-Proc volume control handles the volume for all units in parallel when you are connecting for HT operations and want what comes out of the DSP together with full 5.1, 6.1 or 7.1 complete with bass management for the LFE .1 channel. With this config, the side benefit is as mentioned previously that you get the front 2 channels of your HT playback out through a pre-amp that is presumably much better than what you have in the HT pre-proc...

Questions.....send me email. Enjoy!

Thank you Zeph'! Getting closer all the time

You are very welcome...let us know how it all turns out for you!