Absolute top tier DAC for standard res Redbook CD


Hi All.

Putting together a reference level system.
My Source is predominantly standard 16/44 played from a MacMini using iTunes and Amarra. Some of my music is purchased from iTunes and the rest is ripped from standard CD's.
For my tastes in music, my high def catalogues are still limited; so Redbook 16/44 will be my primary source for quite some time.

I'm not spending DCS or MSB money. But $15-20k retail is not out of the question.

Upsampling vs non-upsampling?
USB input vs SPDIF?

All opinions welcome.

And I know I need to hear them, but getting these ultra $$$ DAC's into your house for an audition ain't easy.

Looking for musical, emotional, engaging, accurate , with great dimension. Not looking for analytical and sterile.
mattnshilp
"A Streamer Dac is not the same as a pure streamer! I have said this repeatedly. A pure Streamer is a digital device and can have only digital volume control."

Wisnon - not sure why your getting so frustrated. No one is refuting your statements. Your information is welcome and, uh, informative. Lol. I was just telling Audiolabyrnth that the component he wants exists already. There are Music server/DAC's available with analog balanced outputs, such as Lumin.

A DAC/streamer (like what Steve will be offering) is different from a DAC/music server (which also includes software to select and control the music from wherever it's stored) like the Lumin. Everyone wants a slightly different product.

For me, I want a music server with built in SSD, linear power supply, audiophile grade through and through. There are actually a lot of these out and more every day. But what many of them lack is the ability to directly access an iTunes folder on my Mac (so I don't have to copy everything already in there to another drive or location), and truly native access within the music server to stream off of services like Tidal and Rhapsody (some have this Antipodes, Auralec, TotalDac I think). The native streaming service will unquestionably be integrated into ALL next gen music servers. The only music server I know that can currently access my iTunes folder is Antipodes (they signed the license with Apple 3 weeks ago to integrate that access). It's a $23- license you pay for with the devise.

So there are already produces from one extreme to the other available. But I think it will take one or two generations for we audiophiles to figure out what we really want and need to have a variety of choices that all do exactly what we want. I would prefer the top tier design philosophy and implementation of the Aurender W20 or the Baetis, but neither has native streaming of Tidal nor access to the iTunes folder directly. And both (Along with the TotalDac) are truly designed for AES or SPDIF output to get their best result. While the Antipodes and Computer Audio Designs are truly designed to work best with a usb DAC like the ODSE or pending ODSX.

Auralec Aries is a very neat little affordable tool that does a lot. It's a temporary solution for many of us. Even the top stores will sell an Aries with a full DCS stack and a Baetis or Aurender server to access streaming on line music. But I don't think it really sounds any better then a properly done Mac mini with external power supply or equally prepared PC server.

As I said, I'm learning and still deciding. As of right now, the unit that, I think, would do it all, is the Antipodes DX. But I don't know how much better it will really sound then my Mac Mini. I'm trying to arrange an audition.

JKMNOP- I have fully auditioned the DirectStream ( read way back in the thread) and I admit it is a great product. But to my ears the ODSE is in a completely different class!
Wisnon, operating an external Samsung 850 Pro connected via some SATA cable through a DC battery might improve some audible parms... I contend that eliminating the cable all together will improve time coupling by a couple of nanoseconds if nothing else... And a DAC-wide battery power or even better an ultra-cap PS would benefit the entire DAC device.

As for the bit twiddling, it is performed because of general purpose machines doing mountains of read/writes that tend to fragment the storage map. in our case, such background storage management demon need not be activated at all.
Hi Guido! How goes the Flugelhorn'ing?

The Aurender W20 is completely off the grid. Totally battery driven... Intriguing, isn't it. And I was just told that they introduced native TIDAL control within its proprietary ipad app at CES...

Just not sure I want to spend more then $10K on something so, uh, outdatable...
Hi Matt, flugel (Kanstul 1525) and trumpet (Adams A4 Large Bore) are totally amazing... These days I am experimenting with mouthpieces: Curry, ACB, and soon Flip Oakes. MPs make an enormous difference on the total sound of a horn, without any of them necessarily being the "best"... Each creates a unique Nirvana.... And with prices ranging from $56 to about $350 a piece, you can experiment without too many adverse reactions from the "Bposs".

Btw, this is what my A4 sounds like, using a relatively shallow ACB TA-3CS Heavy mouthpiece:

https://dl.dropboxusercontent.com/u/53640097/ACB%20-%20Adams%20A4%20trumpet%20brushed%20silver%20plate%20--%20192K.wav

On battery supplies... Batteries are a draconian way to isolate a line level device from AC grundge... But is it the best way? For one thing, ultra-caps are superior at delivering broad/fast transients... Furthermore, a well designed AC supply should be able to isolate the device as much as a DC battery supply... Case in point is your/my Criterion... Sounded identical in my system, whether I fed it from batteries, or through its SMPS.

G.
Matt, will you please text me your number again. I'm in FL as my dad is dying, but I wanted to touch base when I get the chance as you are I are on the same page and I wanted to speak with you about it, but I'll go off on a tangent on the board, lol. Thanks.