Is it possible to have Good Imaging close to wall

When I was called the absolute sound of last year. One of the main reason was that I did use Audyssey Pro ( my way) Without it I would never had such a balanced and physical 3 dimensional stage.

The rooms are not that good at shows. The system solved a lot of the limitations overthere. It gives you an advantage.

I also demoed the roomcorrection on and off. The faces of people said everything. People were amazed by the difference. I also demoed Audyssey EQ and Volume on and off. This is the best way of letting people hear what it is and what it does. Hearing is believing.

In my experience speakers with a faster response have less acoustic limitations compared to those who are slower.

I owned both the B&W 802N and later the B&W 800 Signature. The last one is bigger and goes deeper. But I had less acoustic problems with the 800S. It was with the same amp, source, conditioner and cables.

Bo, the reality is that people are misinformed and ill advised everywhere not just
in audio.

People with less

Sounds like a great motto for all audiophiles. We all are missing something, e.g.
a deeper sound-stage, or a wider sound-stage, or deep bass, or money to buy
more equipment, most likely also some parts of the brain, etc. The list is pretty
pretty long.

You give me a good laugh Bo.

Reviewers love to praise a soundstage that extends well beyond the confines of the speakers. We all know that this expansion of the soundstage is lost when the speakers are too close to the side walls. The reasons are debatable, but in my view its an unfortunate consequence of having a small listening room.

"…in order to clearly hear the secondary reflections that have occurred in the recording room/venue, we need to minimize the reflections in our room."

On the other hand, I think most of us would agree that music sounds best when there are reflections.

How do we reconcile these two contradictory statements?