Al, I clearly understand limiting factors of both reproductions. The number of variable in the matrix of analog reproduction is substantially larger than digital and that makes it EXTREAMLY sophisticated to achieve perfection, but in reality as even with digital...
What theoretically said in terms of approaching an infinity certainly isn't practially done in one or another domain, but having the fact that digital domain is less depended on analogue imperfection factors it's definitely cleaner.
What about presence of overtones and subtones that harmonise with audible spectrum in analogue? We know that they're not audible let's say in most of cases after 14kHz, but they're being superposed with the audible frequencies. Isn't that gives a sound it's signature and naturality?
I think that these may be and are diminished during sampling processing.
It doesn't have to be. The sampling resolution just has to be good enough to reduce sampling artifacts to the point of either being inaudible, or to the point where they are less audibly significant than the many things in analog that are not infinitely perfect either.
What theoretically said in terms of approaching an infinity certainly isn't practially done in one or another domain, but having the fact that digital domain is less depended on analogue imperfection factors it's definitely cleaner.
What about presence of overtones and subtones that harmonise with audible spectrum in analogue? We know that they're not audible let's say in most of cases after 14kHz, but they're being superposed with the audible frequencies. Isn't that gives a sound it's signature and naturality?
I think that these may be and are diminished during sampling processing.