Lewm,
having built up the whole Scarlatti stack and having tested the dCS system intensively I am now able to comment on your question. As you know I should be able drawing conclusions from my analogue setups (EMT R 80, Micro Seiki SX 8000 II, Continuum Criterion with Cobra arm) comparing the sound to my full Scarlatti Digital system.
You know that I am basically an analogue driven guy, also having established a line of my two R2R machines (Studer A820, Studer C37).
First of all you cannot beat 1st copies of master tapes like Miles Davis -Kind of Blue. The sound coming from the masters is such "quiet", unjittery and overwhelming that it keeps the most desirable source playing in my room. But the question was a different one.
I compared many CDs and SACDs to vinyl records. I did not come to the result that vinyl is outmatching digital formats in any case. It really depends on the recording meticolousness and the production quality of the software. For example Pink Floyd the wall SHM CD and the MFSL CD will never reach the power and musicality of my EMI UK pressing of 1979 but when listening to the Kei Akagi Trio - Palette SACD i am listening to a warm, driving and powerful high resolution sound which is amazing. Also some modern Jazz CDs like the ones from ECM or ACT do sound in an upsampled version to DSD or 176,4 KHz really stunning.
you may listening to these digital formats hours and hours...
On the other hand when I am comparing some of my old Rock music CDs to the old vinyl pressings it is no question that you better go to the shredder machine with these CDs.
Anyway I made the expierence that a digital reproduction chain is not at all inferior to a good analogue chain. With the Dual AES digital connection (rather than Firewire) and excellent wordclocking cables (which have an impact as all digital cables as well!) using (a) master clocks you can produce a sound in your home system which is nearly unrivaled, a least to from modern recordings not issued on vinyl.