I forgot:
++++ " It is quite easy to improve the tracking performance, for example by designing a wire suspension with a longer-than-normal free length. This has the side-effect of lessening the intensity of the loads on the tonearm, which can seem to be a benefit if the tonearm has a resonance-prone mechanical structure, and can improve the tracking of a tonearm with lower-grade bearings or imperfectly adjusted/unevenly worn bearings. " ++++++
and IMHO not only an advantage for the tonearm but for the cartridge it self and for us listeners. With a cartridge with high tracking abilities, especially with classic music,
the normal higher distortions in the last thrid part of an LP goes lower and lower distortions on this regards means more music information.
I was thinking that there were no negative trade offs ( only advantages. ) improving the cartridge tracking abilities by design till your post but you don't really explain what we have to look for during playback so it's not clear for me especially with so many different experiences with cartridges with top tracking abilities where its quality level performance is really good.
Denon, Ortofon, Benz Micro, Highphonic, Technics, Satin, Linn, Sumiko and many more choosed ( at least is what their cartridges shows during playback and with specs. Example Today Ortofon specs on tracking abilities in the A-90 or Winfeld is 100um. ) as one main cartridge characteristic high tracking abilities and their cartridges performs ( overall ) really good where Lyra choosed a different " road ": nothing wrong with that ( is your privilege. ) only makes me think more that if we want top quality sounds IMHO we need high cartridge habilities. I have no test/proved fact against my take on that critical regards.
Regards and enjoy the music,
R.
++++ " It is quite easy to improve the tracking performance, for example by designing a wire suspension with a longer-than-normal free length. This has the side-effect of lessening the intensity of the loads on the tonearm, which can seem to be a benefit if the tonearm has a resonance-prone mechanical structure, and can improve the tracking of a tonearm with lower-grade bearings or imperfectly adjusted/unevenly worn bearings. " ++++++
and IMHO not only an advantage for the tonearm but for the cartridge it self and for us listeners. With a cartridge with high tracking abilities, especially with classic music,
the normal higher distortions in the last thrid part of an LP goes lower and lower distortions on this regards means more music information.
I was thinking that there were no negative trade offs ( only advantages. ) improving the cartridge tracking abilities by design till your post but you don't really explain what we have to look for during playback so it's not clear for me especially with so many different experiences with cartridges with top tracking abilities where its quality level performance is really good.
Denon, Ortofon, Benz Micro, Highphonic, Technics, Satin, Linn, Sumiko and many more choosed ( at least is what their cartridges shows during playback and with specs. Example Today Ortofon specs on tracking abilities in the A-90 or Winfeld is 100um. ) as one main cartridge characteristic high tracking abilities and their cartridges performs ( overall ) really good where Lyra choosed a different " road ": nothing wrong with that ( is your privilege. ) only makes me think more that if we want top quality sounds IMHO we need high cartridge habilities. I have no test/proved fact against my take on that critical regards.
Regards and enjoy the music,
R.