SP-10 Mat


I have an SP-10 with a Micro-Seiki copper mat. Now that my system is dialed in in terms of room acoustic treatments and speaker placement I find the Micro-Seiki mat to be a bit too lively but outstanding in terms of dynamics and soundstage. The stock rubber mat is too dull and bloated.

Could someone suggest a mat that falls in between the two, leaning more towards the copper mat sound than stock but less forward in the midrange and treble.
jarrett
I've just received my Mat 2 today. Austin Jackson was very adept at quickly responding to my request for this mat. So far I've had enough time to spin a few albums through. My impressions are favorable as I had expected.

Some early observations:
Yes, it is a nicely flat sample. (see my earlier post to this thread)

Mat thickness. Both the BA Mat 2 and the original SP10 mk2 rubber mat are within .005 inches of the same thickness. Just call it 5mm thick for both mats.

Traction against the platter. The BA Mat 2 is lathe cut from a solid chunk of carbon graphite. It seems to have rather poor traction against the aluminum platter.

And the first evidence I saw of this was while holding a record brush against the spinning record. The brush did stop the record while the aluminum platter continued to spin unhindered.

At first I could not tell if it was the record spinning against the upper surface of the BA carbon mat, or if the BA mat was spinning against the sp10 platter.

I solved this by looking for a means to improve traction between platter and mat. Sparingly, I brushed a small amount of liquid solder flux (rosin based) in an array of spots onto the surface of the sp10 platter. Equally spaced. Not much. Just enough to see if when the rosin began to solidify it would improve traction between mat and platter. And then I replaced the BA Mat 2 onto the sp10 mk2 platter

After this I could hold the record brush against the spinning record and observe that the record did not slow or come to a stop as it had before. It was the mat spinning against the platter.

I expect the small amount of rosin I used to be a benign method. Hopefully I'm not wrong. I'll know next time I need to remove the BA Mat2 from the SP10 mk2 platter.

Listening:
it's early but I've already heard improvements over the standard rubber mat. Firstly, there is an improved clarity in the reproduction of various detail. Inner detail stands out a little nicer. But also macro detail improves as well.

Haitink / Amsterdam Concertbow....Mahler No. 5 on Phillips. Firstly, the horns are reproduced with less blare and more air. Less Glare.

Led Zeppelin II / Classic Records 180g remaster. No loss in rhythmic drive as noted before. No loss in bass energy. No loss in energetic drive. Improvements heard seemed to be a clarity throughout all frequencies...and the improved definition of micro detail such as harmonic overtones. Sustain and decay on the cymbals is very nice. Already nice before but just a touch better now.

Just a few notes. I'll spend more quality time listening to this and write down my observations to my website.

-Steve
A friend uses 3M spray adhesive to adhere his mat to the platter. 3M makes a product that does not make a permanent bond to the material called "artist adhesive".
Just about anything with the slightest bit of stickiness will do the trick. You could probably use grape jelly.

But the 3M product is a good idea.
What a great thread, lots of sharing and information.

Td160, your design is original and unique, congratulations on that and also for the fact it's a beautiful concept.