Benefit of low output moving-iron Grado ?

Not sure what loading is... or if my phono card is capable of being set to different loads (if loading takes place in the phono stage, that is). Could someone inform... thanks

Cartridge loading is the act of putting a resistance (sometimes, a capacitor and a resistance) in parallel with the cartridge, such that the cartridge is driving the load.

We provided a cartridge loading strip on the back of our preamp for this purpose. Some preamps employ a second RCA connection in parallel with the input- you put the resistor on an RCA connector and plug it in.

Other preamps have a switch with preset loading positions. Still others use tiny little jacks mounted to the circuit board in the preamp.

Some phono preamps have no provision. Then you have to come up with something to make the connection.

Nickyt, i was asking myself the same question you are. i am also considering moving up cart ladder from reference sonata. because i love my ref. sonata i have decided not to open the can of worms that i anticipated moving to LO versions of grado. i am not looking for a bank account draining system changing headache just incremental improvement in detail, bass tautness, and isolation of instruments when things get cooking. with those changes in mind and loving what I have and im sticking with grado for now and see nothing wrong in your case or mine of putting that master on your similar priced table. a totl statement would be another story obviously. one thing id like to add is before i purchased my speakers i auditioned the vand sig2s and thought they were not for me. too polite, warm and paired with grado might be too much of a good thing depending on other gear and what your looking for. so i might suggest a similar priced HO moving coil(dyna 10x5?)to what youd pay for a master. that paired with the inexpensive mc phono board could yield great results with all other system synergy being equal.

Nickyt, i was asking myself the same question you are. i am also considering moving up cart ladder from reference sonata. because i love my ref. sonata i have decided not to open the can of worms that i anticipated moving to LO versions of grado. i am not looking for a bank account draining system changing headache just incremental improvement in detail, bass tautness, and isolation of instruments when things get cooking. with those changes in mind and loving what I have and im sticking with grado for now and see nothing wrong in your case or mine of putting that master on your similar priced table. a totl statement would be another story obviously. one thing id like to add is before i purchased my speakers i auditioned the vand sig2s and thought they were not for me. too polite, warm and paired with grado might be too much of a good thing depending on other gear and what your looking for. so i might suggest a similar priced HO moving coil(dyna 10x5?)to what youd pay to upgrade for a master. that paired with the inexpensive mc phono board could yield great results with all other system synergy being equal.

Thanks to both Atmasphere and Fourwinds. Atmasphere: in another universe I would be a proud owner of your equipment, from phonograph down through amplifiers. Alas, it cannot be! I am thinking of asking Acoustic Sounds (where I bought my turntable) to set up the new cartridge when the time comes. Perhaps they might be able to fiddle with the loading on my preamp at their discretion.
Fourwinds: thanks for the heads up on Dynavector... I've been meaning to look into their stuff. The 20x2 looks good, and is advertised to work with "most" MM phono stages. Is this accurate?
If others are still reading: what about these cartridges from London Decca? The "Maroon" is in my price range, and with some saving, even the "Gold". They are both 5mv output, which makes me happy. I just don't know how reliable they are. Anyone care to weigh in on London Decca vs. Dynavector vs. Grado? (p.s. NOT getting rid of my not-so-polite Vandersteens anytime soon!)