I would like someone with the TimeLine to make very small incremental adjustments in speed similar to the speed changes due to stylus drag.
Then listen closely at these different speeds, on records that have light and heavy modulation, and try to hear changes in sonics.
I do not think these changes (during play) are audible, as J. Peter Moncrief's theory (which Halcro quotes), implies.
He was "the" supreme theoretical BS artist, in his day.
Then listen closely at these different speeds, on records that have light and heavy modulation, and try to hear changes in sonics.
I do not think these changes (during play) are audible, as J. Peter Moncrief's theory (which Halcro quotes), implies.
He was "the" supreme theoretical BS artist, in his day.