Are You Happy?


On another currently running post a number of people have commented that the majority of their digital music collection is unlistenable. One person said 90% falls into this category. I don't get it! Have these people purposely assembled systems to make their favorite albums sound bad? Do they sit and audition equipment while thinking to themselves "hey, this is great, I won't be able to listen any of my Rolling Stones, but wow does it sound good." Why would someone do this to themselves?

As audiophile we are all a little crazy, but these people, IMHO, have gone one step beyond. Please help me to understand what's going on?
128x128onhwy61
About 90% of my CD's sound pretty good on the system i've put togeather and the bad ones stay because the music outweighs the flaws in production. That said there is always a special magic when i put on vinyl and i have a really crappy analog set-up at the moment relative to my CD player. I guess that means i'm happy but wishing i had the cash to upgrade the analog side....then i'd have to find room for more records and the wife would be the unhappy one.... which has a trickle down effect.....yes i'm happy
Ben, if you ever do hit the lottery, and get that dream system you spoke about, then you'll know what we're talking about. Many people may think that 1975 Chateau Latour is great, but when your have become accustomed to '82 Petrus, the Latour suddenly pales in comparison.
Same old story, folks. Are you listening to the sound or are you listening to the music? The days when I find lots of my collection "unlistenable" is when I'm listening to the sound. When I'm listening to the music, I'm a lot more satisfied with my software. My own particular bugaboo is bad playing. I'm a lot more tolerant of poor engineering than of poor playing. That's poor old Chesky's problem. He makes wonderfully engineered recordings but (sometimes) can't spring for really good talent. THAT, to me, makes a recording unlistenable.

As to CDs versus LPs and tubes versus solid state devices, that's an easy call. A great many people enjoy the euphonious distortion introduced by analog reproduction techniques and vacuum tube amplification. More and more "audiophile" labels are mixing their digital releases to produce that sound.

(Ducking and running for cover.....)

Will
TWL,

How about the comparison between '61 Chateau Latour (the before-death dream wine along with '61 Latour a Pomerol Robert Parker claimed) and '82 Petrus?

Happy listening and enjoy the Bordeaux as well.

Otto