Do you run a high end power cord on your sub?

I have class D amps which are fast but I have grown tired of the bass. It just seems too fast and taut especially for low bass. I like the mosfet sound for the very low bass in the REL subs. The mosfet just seems like the right speed for the low bass. I don’t think I would like your subs crossed at 140 Hz as it sounds like what I already had.

The reason why I can use this is cause of the way I use Audyssey Pro. I measure it at totally different places and hights compared to Audyssey. The end results are stunning. It gives what I call Stealth integration. Without it I also cannot use it this far. ( to be honnest) It gave me the quality I Always dreamed of.

Statements like "it is at it is...nothing is as it is" simply isn't much besides gibberish. Risking signal degradation or alteration by using digital room correction to limit and compress sub signals weirdly adjusted up into low midrange frequency levels (that will clearly interfere with any wide frequency range main speaker) is odd, and I can only assume this silliness absolutely MUST have digital room correction to work at all. Room correction gizmos are generally designed more to detect and limit the specific frequencies that produce standing waves or what a particular listener feels is unnatural or "lumpy" bass, and not necessarily to repair woofer abuse (!). RELs aren't designed for lower mids as they know that it doesn't make sense, and BO's "set it up weird and fix it with Audyssey" approach likely has far more impact on tonality than AC cables. I suppose the resulting overkill sounds like music to him, but my sympathies lie with anybody walking into his shop and his dream world inspired by what he thinks violins sound like. The rest of us can listen to properly set up subs (with fat AC cables) that add the mojo to their rig without risking the likely pitfalls promoted by a delusional self important salesman.

Roomcorrection is only a part of Audyssey. Audyssey EQ and Volume give more drive and even resolution. The way Audyssey uses it, it works but I didn't like some parts of it. So I started to use it differently. The same thing about how they measure a subwoofer. I started to measure it at totally different places and hights. This gave superior drive and resolution. What I did at the most important show in our country was using the pre amp without the systems and with all the parts of Audyssey. People were amazed about the differences. The owner and chief of the biggest Audio magazine in our country called us to say we were the Absolute sound.

Wolfy is an amature ( with a cheap old Rel subwoofer of more than 10 years Old) who also has an opinion about highend products. I do this as a profession for almost 16 years. I sold and owned a lot of highend. I Always want to create the best sound. If there was a better sound on the show they would not called us.

Wolfy does not like my approach, this says more about his limitations as a F... AMATURE. These kind of people were there also at the show. Jealous people who said; you use the centre speaker. So I said put your ear on it. Most people never heard such a touchable and 3D image in there life. Many shopkeepers came on monday to me to say: We never heard this level in sound in our life. It is that easy to understand the difference and hear the quality.

I will invite Wolfy the amature when I am in America. Hearing is believing. That is how I work, I want audio to be open and honnest. I love competition. I love to battle against other shops to give the best sound for the bucks.

I don’t think Audyssey Pro has any effect on the quality of sound produced from the equipment. I have 16 sound panels and bass traps and constantly tune for the room but this still does not change quality or the speed and weight of the music being produced sound wise that is why you still hear the differences in equipment, cables, etc.