Hi Almarg,
You had the right link and I think that it has been discussed in this thread.
My read is that Roger is saying that his interconnects do not impart any coloration to the signal, which is his definition of a well designed interconnect.
It would seem that is the right place to start. Then if you want it to make a warmer sound, accenuate the bass, etc., etc. then you go from there.
So if I am trying to buy a pair of interconnects that do not color the sound, what does one look for in terms of construction and measurements?
You had the right link and I think that it has been discussed in this thread.
My read is that Roger is saying that his interconnects do not impart any coloration to the signal, which is his definition of a well designed interconnect.
It would seem that is the right place to start. Then if you want it to make a warmer sound, accenuate the bass, etc., etc. then you go from there.
So if I am trying to buy a pair of interconnects that do not color the sound, what does one look for in terms of construction and measurements?