The State of Jazz


I was recently listening to "The Best of Diana Krall" LP. It is an amazing album. But later, I reflected on the fact that she sang almost entirely 'standards,' which means the songs are all at least 50 years old. Then, I thought, why hasn't the Jazz Community produced any more recent songs that have become standards. Then I thought: it is most likely, that the same standards (i.e., basin street blues; willow weep for me, etc.) will be sung for the next 50 years--and I wondered, are we producing any songs today that will become standards. I don't think so. Bu, why not?
elegal
I worked with the Charlap trio a couple of years ago, and more recently did a few shows with Peter Washington in various configurations...brilliant...and Charlap's Bernstein kills me. By the way, Peter Washington enjoys single ended tube amps from Brooklyn (can't remember the name) with Tannoy speakers, a Cary preamp, and a Basis turntable.
Thanks, Wolf_garcia. Jazz is more than alive and well; unfortunately, likely due to limited and commercial exposure, one needs to be in the big cities to experience with any regularity. My observations, excluding the vocalists referred to by others, is jazz's direction. Many of the younger players are exploring new avenues, which to me often does not sound like jazz...not traditional or standards. Check out some of the new, highly critiqued jazzers...Ambrose Akinmusire; Aaron Parks; Walter Smith III; Gerald Clayton; Vijay Iyer; Christian Scott; Chris Potter; Dayna Stephens...among many others.
Check out the New Times Friday weekend shows. Youtube these guys to see their inclination of the jazz scene. For me, it is taking time to conform to. It has been explained this jazz is more intellectual than emotion.
The Charlap Bernstein is great to test your system's bass response...I have to turn my sub down a little for that album, but it sounds so damn good...
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