In all fields, American workers are competitive.
In all fields, American management is not.
Perhaps a bit of my usual overstatement to make a point, but thats what I've seen. |
Learsfool, I checked the stats online of Overture Hall, my eyeballs were not all that far off, it seats 2,250 , home base for Madison SO, WI Chamber Orchestra, Mad.Opera and Ballet. In a 10 year old building also housing art museum , total cost was $210 Million inclusive of a great Klais organ.
Does host plays,acts like Steely Dan, but was built as a classical concert hall, stunning visually and aurally. |
Schubert, I noticed that Ferrier's Alto Rhapsody is being reissued on SACD by Praga. It will be available June 2 through Presto. That is on my list of must haves. Thanks for the recommendation. |
Aside from Tiny Tim or perhaps Blossom Dearie(who I actually like), she has the most unique voice I've ever heard. |
From the Wikipedia writeup on Kathleen Ferrier: The opera critic Rupert Christiansen, writing as the 50th anniversary of Ferrier's death approached, maintained that "no singer in this country [the UK] has ever been more deeply loved, as much for the person she was as for the voice she uttered." Her death, he continued, "quite literally shattered the euphoria of the Coronation" (which had taken place on 2 June 1953). Ian Jack, editor of Granta, believed that she "may well have been the most celebrated woman in Britain after the Queen." Among the many tributes from her colleagues, that of Bruno Walter has been highlighted by biographers: "The greatest thing in music in my life has been to have known Kathleen Ferrier and Gustav Mahlerin that order." Very few singers, Lord Harewood writes, "have earned so powerful a valedictory from so senior a colleague." At a memorial service at Southwark Cathedral on 14 November 1953 the Bishop of Croydon, in his eulogy, said of Ferrier's voice: "She seemed to bring into this world a radiance from another world."
From time to time commentators have speculated on the directions Ferrier's career might have taken had she lived.... Christiansen further suggests that, given the changes of style over the past 50 years, Ferrier might have been less successful in the 21st century world: "We dislike low-lying voices, for one thing contraltos now sound freakish and headmistressy, and even the majority of mezzo-sopranos should more accurately be categorised as almost-sopranos." However, she was "a singer of, and for, her time a time of grief and weariness, national self-respect and a belief in human nobility." In this context "her artistry stands upright, austere, unfussy, fundamental and sincere." Best regards, -- Al |
