Cables more hype than value?


What are the opinions out there?
tobb
If you put Transparent interconnects and speaker cables into your system and you can not hear a huge improvement over a conventional cable, then you are DEAF!
Wow!,man-o-man did I miss the party!,I was tied up a couple of days,poped some popcorn and read both sides of the debate here,I have a financial incentive,,I will bet thousands of dollars that anybody that can not hear a difference between Taralabs zero gold,nordost odin against whatever cables that a non believer that cables do not make a difference can produce!,these two cables are in a group that is the best available,the differences between these cables and whatever else that can be produced by a nonbeliever will not be subtle!,It would be like going from an rca all in one box stereo system to a Dan D Agistino momentum mono block amplifier at $42,500 a pair!,again the differences will not be subtle!more like huge to say the least!,if anyone would say,how does he know?,lets just say I have lived with these world class cables before and lived with the rca and many of Dan D Agistino engineered products and $1.00 to $10.00 a foot cables. Irvrobinson and rok2id,welcome back to the thread,thankyou for keeping the thread alive and well,thou I did not start it,It is interesting and entertaining,cheers and happy listening to all!
Seriously, I would take the bet as you stated it. All that your results would have to be, is greater than guessing. One change. it should be between your wire and a cheapo wire. And your wire must be store bought without any sort of mod.

Practice! And kiss that 'Kind Of Blue' goodbye.

Cheers
Let me add something to the mix. I spent half my life as a professional musician and I was fortunate to get into the NY recording scene very early and I was doing demos in the 80s up at RCA studios and other famous ones as well. I thought I was pretty much a hotshot and I made my first recording. When I listened to the playback, I was astounded. The playback did not sound at all as good as what I THOUGHT I played - it was much worse. I then realized that I wasn't hearing was I was playing, but hearing what I thought I was playing. Somehow, my brain got into the middle of the ear/music making parts and twisted things around. It took me a long time of playing and listening to playbacks to sync them up to a point where I could hear what I played in real time and it would sound on tape just as I heard it in the studio - but that took time. Time to get that funhouse out of your brain that makes you think you're great when you're not. The brain that makes a skinny woman see herself in the mirror and think she's fat. I can guarantee you the drugs and alcohol were the 3-in-1 oil that kept the ears wired directly to the performance without the freakin brain stickin' it's nose in and convincing you that you're hearing what you played.

Maybe this will make some sense to some - once the human mind gets in the middle of things, a lot of strange roads are taken. I think that through years of training, I can actually hear what I'm hearing, uneffected by whatever funhouse mirror the brain adds into the process.

I don't think everyone will undertstand this, but I know some of you will. I do respect all of your view though. Rok - I do own a pair of 10 gauge Beldens with welded connectors and they're fine. I could problably live with them and enjoy my music just as much. I don't own any crazy wires, but I do think my ViVa speaker cables make the speakers sound far more open and clear, as if the window to the band is open wider. But when I get bored, I'll go back to the beldens for a few months and enjoy them and then swithch back to the ViVas and did the more open, less hi-fi presentation.

Gentlemen and Ladies - please don't let our disagreements divide us. We are predominantly a dying breed, so let's enjoy the waning years. Any of you are invited by to listen to some beatuful music and have a steak. Really.