Frank:
I thought twice about writing that comment--perhaps it was worded a bit strongly--but I thought I should make my thoughts known. (And I actually am pretty open-minded. If you read my posts, that should be pretty obvious.) If you read that review, Jeff Fritz paired ONE DartZeel with the Alexandria X-2s. He claimed that the Wilson is an 8-ohm load, but that only tells part of the story. Actually, the Wilson dips below 4 ohms in the bass and elsewhere, and that may explain his complaints about the bass. As for value, I can understand his reservations. The cost of the Dart is largely based on the weak dollar. And I didn't agree at all with his comments about the comparisons with the M1.2 and Boulder 1060. You own the Lamm, correct? I don't mean to step on any toes, but I've heard the 1.2 several times in friends' homes--one actually had them paired with Kharma 3.2s--but the sound just wasn't my cup of tea. (I prefer great SS to great tube, anyway.) While the construction of the Boulder 1060 is beyond reproach, I found its sound sterile and uninvolving. Same thing with its bigger brother. Yes, it was Fritz's opinion, and to that he is entitled. But I'm entitled to mine, and I found his choice of partnering gear a little suspect. I heard a single Dart paired with the Maxx2s, and I didn't like it all. The X-2s simply were not a good match for the Dart. And to make the pronouncement that the Dart is not a good value, based on what was clearly a system mismatch, is a little irresponsible. You, as a reviewer and longtime audiophile, should know how important gear matching is--especially when your comments could potentially make or break a company. Also, you write for Soundstage, don't you? Was your post perhaps a little influenced by that? If not, I apologize. At any rate, as you say, we're all entitled to our opinions--that what this hobby is all about anyway--but I think journalists have a responsibility for covering all their bases before they make a pronouncement like Fritz did. As a one-time writer for a New York newspaper, I know all about that. BTW, I didn't attend the meeting. Ellice wanted to see the Rodin exhibit at the DIA. After years of her suffering with my audiophilia, I thought it time to reciprocate. :) I may host a meeting once I get the preamp in and everything broken in. Then we can get a chance to argue again!
I thought twice about writing that comment--perhaps it was worded a bit strongly--but I thought I should make my thoughts known. (And I actually am pretty open-minded. If you read my posts, that should be pretty obvious.) If you read that review, Jeff Fritz paired ONE DartZeel with the Alexandria X-2s. He claimed that the Wilson is an 8-ohm load, but that only tells part of the story. Actually, the Wilson dips below 4 ohms in the bass and elsewhere, and that may explain his complaints about the bass. As for value, I can understand his reservations. The cost of the Dart is largely based on the weak dollar. And I didn't agree at all with his comments about the comparisons with the M1.2 and Boulder 1060. You own the Lamm, correct? I don't mean to step on any toes, but I've heard the 1.2 several times in friends' homes--one actually had them paired with Kharma 3.2s--but the sound just wasn't my cup of tea. (I prefer great SS to great tube, anyway.) While the construction of the Boulder 1060 is beyond reproach, I found its sound sterile and uninvolving. Same thing with its bigger brother. Yes, it was Fritz's opinion, and to that he is entitled. But I'm entitled to mine, and I found his choice of partnering gear a little suspect. I heard a single Dart paired with the Maxx2s, and I didn't like it all. The X-2s simply were not a good match for the Dart. And to make the pronouncement that the Dart is not a good value, based on what was clearly a system mismatch, is a little irresponsible. You, as a reviewer and longtime audiophile, should know how important gear matching is--especially when your comments could potentially make or break a company. Also, you write for Soundstage, don't you? Was your post perhaps a little influenced by that? If not, I apologize. At any rate, as you say, we're all entitled to our opinions--that what this hobby is all about anyway--but I think journalists have a responsibility for covering all their bases before they make a pronouncement like Fritz did. As a one-time writer for a New York newspaper, I know all about that. BTW, I didn't attend the meeting. Ellice wanted to see the Rodin exhibit at the DIA. After years of her suffering with my audiophilia, I thought it time to reciprocate. :) I may host a meeting once I get the preamp in and everything broken in. Then we can get a chance to argue again!