Class D Amp For 'Stats?

Nealhood,

I fully understand your comments on the Atmas. I have owned both the S-30 and the M-60s in the past (not for the SoundLabs, obviously). However, the biggest single push towards the possibility of the Class D amps is the ability to leave them on at all times. You see, what I did not explain was that, at this time, I'm pretty much forced to listen in short intervals of an hour or less. No amp is going to sound anywhere near its best for least 1/2 hour after a start from cold. I'm just plain tired of having to shut things down at the same time things are starting to sound good.

Warnerwh,

I have also owned the Innersound ESL (driving the Eros, as a matter of fact). I think it's a very good amp, and - especially used - a fantastic value. What I never got from the ESL was the harmonic richness of tubes, something I value highly. A couple of reviews of the various Class D amps have suggested that that richness is characteristic to a degree. Here, I'm specifically thinking of Srajan Ebaen's review of the H2Os. Coming from a long time tube addict such as Srajan, I found his comments to be rather striking.

Jafox,

Now that's what I needed - a directly applicable opinion. I wonder if the H2O M250 Signatures would be better? These are actually my top contenders at the moment. The CATs are great amps, but they have the same downside as any other tube amp for me at this point in time (see above). With all due respect to Harrahlv, Bryston is not my particular cup of tea either. I actually have 3 'conventional' solid state candidates for amplification as well - Ayre V-1xe, Edge NL-12, and McCormack DNA-500. This may be a long road.....

One will run into a lot of pitfalls when trying to implement the H2O (I have the Sig monos). For me, there is no doubt they are the best amps I have ever had in my system.

I have found any speaker cable that has anything but minimal insulation coating will cause dielectric polluting of the signal. Also, I am a fast non-upsampling convert. Preamps with a strong power supply do better.

This is a new technology, and that applies to all digital, and class D amps. It requires a rethink of system priorities to bring out the best. The potential is there.

Caveat, I have no business offering any advise here. I've never heard the Sound Labs. I've very little experience with digital amps. Many seem to think that the digital amps can be bright. I just wonder if the traditional Rowland house sound still exists in their digital offerings. A_rt of Analog Research Technologies has mentioned something about offering an option to customize the frequency response of his amps to match a given load. There may be options. Perhaps now that there are quite a few manufactureres offering digital amps we should start respecting them as individual products rather than lumping them by technology.