You know we all wish for and hope to experience musicality. Has anyone been able to either bottle or to measure the musical experience? Is the sensory thrill all empirical? I am going for the Clock. Tom
- ...
- 449 posts total
| Post removed |
More amusement/punishment for those who may not have followed all the links within previously listed articles: PFO article by Roger Gordon (yet another) PFO article by Carol Clark MusicWeb article by Bill Kenney, Pt. 1 MusicWeb article by Bill Kenney, Pt. 2 SoundStage article by Greg Weaver, Pt. 1 SoundStage article by Greg Weaver, Pt. 2 SoundStage article by Greg Weaver, Pt. 3 Rupert Sheldrake's "Morphic Resonance" hypothesis, with link to his homepage All are linked one way or another on the PWB website, but apparently I've got nothing better to do than save the lazy some clicks :-) Further commentary seems superfluous at this point, other than for me to thank Audioari1 for his troll, without which I may have missed a few additional reasons why I am ashamed to call myself an audiophile... |
Back in the day I spent more than 200 bucks pissing the nite away or or so I was told. I don't time travel as far into the past as I use too. Those who like to gamble at the tables or on the ponies ...well ya here when they have won but what about all the loses. The debate mostly in the past about vibration control or resonace control methods those controversial and intense disputes were recorded here. All that racket that was written made many people aware of new methods. I'm willing to take a chance. Tom |
- 449 posts total