There is also the idea that in pursuit of the 'best' (IOW the state-of-the-art) that the designer must sort out what it is that allows for foot-tapping *and* good specs!
But then at the same time there is the issue of taste. I found out about 25 years ago a disturbing discovery: If God made a preamp and sold it to humans who did not know the preamp was in fact perfect, some would say it was bright, others would call it dull, bloated, bass shy/boomy etc. IOW some would buy it and others would disdain it.
What is left seems to fall in the realm of 'looking good' and 'not looking bad' in the eyes of our fellow audiophiles, after the equipment has passed muster to our own ears.
IOW all the above is meaningless- in such a world, as a designer or as an audiophile you simply have to play the game all out and do the best you can.
But then at the same time there is the issue of taste. I found out about 25 years ago a disturbing discovery: If God made a preamp and sold it to humans who did not know the preamp was in fact perfect, some would say it was bright, others would call it dull, bloated, bass shy/boomy etc. IOW some would buy it and others would disdain it.
What is left seems to fall in the realm of 'looking good' and 'not looking bad' in the eyes of our fellow audiophiles, after the equipment has passed muster to our own ears.
IOW all the above is meaningless- in such a world, as a designer or as an audiophile you simply have to play the game all out and do the best you can.