I predict tone controls will back in the high end equipment landscape in the next few years. My reasoning is I look at the Cello pre that has tone controls and the new DSP stuff that allows signal manipulation in the digital domain at 30 bit/96KHz sampling. Old analoge tone controls like you are all discussing injected phase distortion and temporal smearing of the signal. Digital domain sampling and DSP manipulation can provide tonal shapping without the bad stuff. We just need to wait till these systems come down from the $12K preamps and parametric equalizers to the $5K high end stuff.
Tone Controls
I have recently rethought the issue of tone controls. How many recordings do you own that you don’t like, but a little tweaking and it may be a different story?
How are using tone controls different than when they master the CD in the final process? I have a particular CD that I like and on one song it has a slight glare one it that I feel was missed in the mastering process. Without tone controls, there is nothing you can do after the fact.
Tone controls seem to be taboo in the high-end arena; I think they have been given a bad rap. We were sold the reasoning for no tone controls and we bought it.
If the tone controls have no affect on the signal when left in the middle, such as McIntosh does, no harm no foul, but a useful “tool”.
Someone may have a system that caters best to a certain type or style of music but falls short elsewhere, possibly with tone controls this could be overcome.
Any other thoughts?
How are using tone controls different than when they master the CD in the final process? I have a particular CD that I like and on one song it has a slight glare one it that I feel was missed in the mastering process. Without tone controls, there is nothing you can do after the fact.
Tone controls seem to be taboo in the high-end arena; I think they have been given a bad rap. We were sold the reasoning for no tone controls and we bought it.
If the tone controls have no affect on the signal when left in the middle, such as McIntosh does, no harm no foul, but a useful “tool”.
Someone may have a system that caters best to a certain type or style of music but falls short elsewhere, possibly with tone controls this could be overcome.
Any other thoughts?
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- 12 posts total
- 12 posts total