Actually, I think the old tubes sound old and crappy and most likely the "golden glow" people remember is bad reproduction - I have had very bad experiences with NOS even JAN - I won't buy them anymore; microphonic, poor lifespan, inconsistent output. Everything I hate about tubes. The reproductions are much better. And the new Czech tubes like JJ Teslas and Golden Lions are really the real deal - as good as the Mullard EL34's. Not the same sound but as good. I don't want something lush that hides things and then makes fizzy sounds after an hour and tapping sounds as I walk around when I get out of my seat to figure out what the hell is going on. Of course I also don't care for 300B's so much... High tolerances are for the best I think, computer-controlled robotics doing transformer windings, along with rare metal alloys that weren't available before, really have made both SS and tubes function at a higher level. I know many hi-end manufacturers now use silver wire, rhodium, cryo, or whatever to improve the throughpath and power supply.
As far as speakers go, I know: make one aspect of output better means the others get worse. It's just part of the math. But what I'd really like to know is why when a company like Zu or Joseph or Green Mountain comes up with a novel way of making a speaker people can't wait to tear them down.
As far as speakers go, I know: make one aspect of output better means the others get worse. It's just part of the math. But what I'd really like to know is why when a company like Zu or Joseph or Green Mountain comes up with a novel way of making a speaker people can't wait to tear them down.