Tvad and Neebee, there is no doubt that I support my design decisions !! :)
-And the reason that I made those decisions is based on the experience that I had with the tube types I mentioned. The 6DJ8 was a popular intrumentation tube (look in an old Tektronix scope sometime) and is very good in that application. Unfortunatly, the tube was not originally intended for audio and while it is very linear, it has a micorphonic tendancy that is profound relative to other tubes.
Despite that it has been popular in audio for a long time. However if one pays attention to what it and other tubes do, it will be seen that any equipment that uses it will have a coloration particular to that tube- you all know what I am talking about. The fact of the matter is that audio (high end anyway) equipment ought to have *no coloration at all* so if you want that you will have to start with a less troublesome tube. It really is that simple.
I was influenced to try the 6SN7 after seeing the the MFA Luminescence preamp (which was extraordinary in its day) as well as the Vacuum Tube Research Labs stuff. It was easy to discern why the tube had/has a serious following.
So I was just letting you in on what I have found to be true over the years (I think most of the more respected people posting here do exactly the same). I hope this is not troublesome.
-And the reason that I made those decisions is based on the experience that I had with the tube types I mentioned. The 6DJ8 was a popular intrumentation tube (look in an old Tektronix scope sometime) and is very good in that application. Unfortunatly, the tube was not originally intended for audio and while it is very linear, it has a micorphonic tendancy that is profound relative to other tubes.
Despite that it has been popular in audio for a long time. However if one pays attention to what it and other tubes do, it will be seen that any equipment that uses it will have a coloration particular to that tube- you all know what I am talking about. The fact of the matter is that audio (high end anyway) equipment ought to have *no coloration at all* so if you want that you will have to start with a less troublesome tube. It really is that simple.
I was influenced to try the 6SN7 after seeing the the MFA Luminescence preamp (which was extraordinary in its day) as well as the Vacuum Tube Research Labs stuff. It was easy to discern why the tube had/has a serious following.
So I was just letting you in on what I have found to be true over the years (I think most of the more respected people posting here do exactly the same). I hope this is not troublesome.